The fish is a suspended phantom, its magenta skeleton an exquisite, vibrant exhibit of what lies beneath

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A wildland fighter witnesses an old burn's second act

Memories sneak up, tiptoe quiet as a cat. Boom like a slapshot

The unmistakable buzz of an approaching aircraft is enough to send my family onto the lawn

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This invertebrate does not go looking for prey

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For the sake of the large romantic gesture

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Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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No Skylab buzz in East Germany.

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Nature’s sanctity is the only portal to the future.

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Playing against the fastest chess player in the world.

"You have bruises / There was time / You spent trying to / Heal them. / As in, time wasted."

That’s one for the rice bag!

The maple leaf no longer feels like a symbol of national pride.

"my point that / i is but a : colon grown / too long"

If marriage was a television show, it might look something like this.

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

Scrape every last bit of English out of your throat.

Who puts those little stickers on the apples in the grocery store?

Destroying books for the greater good.

Remembering Norbert Ruebsaat.

Losers: you have a lifetime to hunt.

"I never went looking for them."

Sebastian and I enjoy making fun of le mythomane. We compare him to characters in novels. Maybe he can’t return home because he’s wanted for a crime.

What does it mean to love a band? A friend? A nation?

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Mastery of the self

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

"If you are still alive, you must have had the experience of surrendering."

Anne Michaels’s second novel, The Winter Vault, was published thirteen years after her debut, Fugitive Pieces. Was it worth the wait?

A Pillow Book by Suzanne Buffam contemplates the pillow, an ordinary object, as the buffer between internal and external life.

Running (Brindle & Glass), the first of a projected quartet of novels, unfolds between 1958 and 1960 in the fictional steel town of Raysburg, West Virginia, the setting of most of Maillard’s novels.

The hilarious story of Audrey Flowers’s mysterious upbringing in Newfoundland, narrated in part by her pet tortoise, is equally enjoyable on the second read.

Overqualified by Joey Comeau (ECW Press) is a collection of satiric cover letters handcrafted to make any HR worker cringe and every job seeker smile.

"Cedar, Salmon and Weed is probably not the Great Canadian Novel—but it could be the Great Bamfield Novel; it seems to have few competitors for that distinction."

Patty Osborne reviews Last Dance in Shediac by Anny Scoones.

In the Rock Clock app, you can set your own wake-up time or choose the Rock Time option, which wakes you up whenever Dwayne "The Rock" Johnson is waking up, usually between four and six in the morning. There is no snooze option.

Mary Schendlinger sees The Babushkas of Chernobyl, Inaate/se and A Good American at the DOXA Festival.

Jim Christy and the editors who worked on Rogues, Rascals, and Scalawags Too should be congratulated for their uncanny ability to squeeze every last euphemism out of their thesauri.

Thad McIlroy reviews Paris Nocturne by Patrick Modiano, a Nobel Prize-winning author.

Craft Distilling: Making Liquor Legally at Home by Victoria Redhed Miller is a no-nonsense how-to book, and a rational plea to lift laws that prevent small-batch not-for-profit distilling.

"The miscellanist Rob Kovitz in his new book Dead and Cold has assembled, coordinated or otherwise summoned into being the best, the most spellbinding and the most chilblain-inducing account of death in the Arctic that you will ever read."

Leonard Cohen pays a visit to the neighborhood in song.

Lily Gontard reviews Passage (2008), directed by John Walker.

"To properly understand Mayor Gregor Robertson’s ongoing bicyclification of Vancouver, I think we need more books like Jon Day’s Cyclogeography: Journeys of a London Bicycle Courier, an extended essay about 'the bicycle in the cultural imagination.'"

Rebekah Chotem reviews Sleeping Giant, a critically-acclaimed coming-of-age film directed by Andrew Cividino.

In The High Mountains of Portugal (Knopf), Yann Martel returns to magic realism in three interwoven stories about lost love and journeys taken to reclaim the past.

"Sex for Dummies, the 'Fun and Easy Way to Have Great Sex in the ’90s,' sat in the window of my neighbourhood bookstore and I bought it because, as a twenty-three-year-old, I was curious about what sex was like before my time."

Michael Hayward reviews a number of travelogues by Daniel Canty and Bill Porter.

Mary Schendlinger reviews M Train by Patti Smith and My Life on the Road by Gloria Steinem.

"It’s well documented that Hollywood films use Canada to stand in for the US, including Brokeback Mountain, Good Will Hunting, the Twilight series, Rambo’s First Blood and many, many more blockbusters."

Hint: It’s not your own.

Alberto Manguel’s A History of Reading taught me to read.

When you find yourself laid up in a sterile hospital room, which books do you want to have with you?

During the 1950s the RCMP used a machine to identify federal employees who were homosexuals. The name of this bogus device? The "fruit machine," of course.

A writer whose work is among the most important contributions to the literature of the Holocaust is forgotten by almost all.

In the world between here and there, what place does one call home?

Stephen Henighan argues that efficiency has become a core value that heightens social divisions.

Richard Stursberg’s memoir of his years in CBC programming raises the question: How did someone with no sympathy for public broadcasting get the job in the first place?

Stephen Henighan remembers Mavis Gallant, the original nomad of Canadian literature, who wrote some of Canada's finest fiction at Pablo Picasso's café table in Paris.

How much does a photograph really capture the essence of a person?

Daniel Francis investigates the practice of visiting asylums and penitentiaries as entertainment in nineteenth-century Canada.

Stephen Henighan investigates bus travel as one of Canada's last surviving democratic spaces.

Alberto Manguel reflects on art as a witness to the human desire to be infinite and eternal.

Daniel Francis explores the photographer as Vancouver's most interesting historian.

The Great White North gets rebranded and gains some military muscle: goodbye peacenik, hello soldier.

As Canadian leaders look to emulate Asian nations, our government fails to see that the tigers' fatal flaw is the absence of democracy. Or, maybe they do see.

A French writer whose name I hadn’t heard before, Pierre Bayard, has written a book called Comment parler des livres que l’on n’a pas lus? published by Éditions de Minuit in a collection aptly titled Paradoxe. A number of critics in France have writt

I’ve now read Comment parler des livres que l’on n’a pas lus? and I’m happy to say that I was right.

One of the indispensable figures of contemporary journalism is the cutting-edge cultural commentator. The columnist who offers sardonic insights into trends, fashions, television shows and publishing personalities has become an institution.

In 2002, when my essay collection When Words Deny the World was published, people started behaving strangely. Ambitious young writers scurried out of sight when I entered a room, as though afraid that irate authors might banish them from Toronto for having spoken to me.

Since the Wall came down, East German socialists in Prenzlauer Berg are free to sip coffee and talk about art.

When the crash came, Canadians paid the price for the colonized mentalities of their investment advisors.

I met Alejandra Pizarnik in Buenos Aires, in 1967, five years before her death. I had asked her to contribute to an anthology of texts that purported to continue an interrupted story begun in Shakespeare’s The Winter’s Tale: “There was a man dwelt by a churchyard.” She agreed and wrote a haunting piece called “Los muertos y la lluvia,” “The dead and the rain.” The book was never published, but we became friends.

From the trench coat to the Hummer, what does the militarization of style say about us?

In 2007, when The Penguin Book of Canadian Short Stories was published, Urquhart sent me a copy. As I examined the table of contents, I felt a dull thunk in my chest.

When General James Wolfescampered up the steep path that carried him onto the Plains of Abraham andinto the pages of the history books, what was he thinking?