The log jam is tall and wide and choosing wrong means we don’t make it home

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The fish is a suspended phantom, its magenta skeleton an exquisite, vibrant exhibit of what lies beneath

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A wildland fighter witnesses an old burn's second act

Memories sneak up, tiptoe quiet as a cat. Boom like a slapshot

The unmistakable buzz of an approaching aircraft is enough to send my family onto the lawn

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This invertebrate does not go looking for prey

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For the sake of the large romantic gesture

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Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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No Skylab buzz in East Germany.

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Nature’s sanctity is the only portal to the future.

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Playing against the fastest chess player in the world.

"You have bruises / There was time / You spent trying to / Heal them. / As in, time wasted."

That’s one for the rice bag!

The maple leaf no longer feels like a symbol of national pride.

"my point that / i is but a : colon grown / too long"

If marriage was a television show, it might look something like this.

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

Scrape every last bit of English out of your throat.

Who puts those little stickers on the apples in the grocery store?

Destroying books for the greater good.

Remembering Norbert Ruebsaat.

Losers: you have a lifetime to hunt.

When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.

A first-hand account of Greenpeace's first expedition to stop U.S. underwater nuclear testing on September 15, 1971.

AnnMarie MacKinnon reviews Reading Like A Writer by Francine Prose, a "guide for people who love books and for those who want to write them."

Michael Hayward reviews #GIRLBOSS, a memoir by Sophia Amoruso, founder of Nasty Gal clothing retailer and capitalism's cheerleader.

Roni Simunovic reviews When Everything Feels Like the Movies, the award-winning YA novel that inspired heated controversy and a homophobic petition.

A gaggle of kids team up with a crazy hippie named Sea Foam and an array of Angolan grandmothers in Granma Nineteen, reviewed by Patty Osborne.

Kelsea O'Connor reviews We Are Pirates, a witty adventure through modern-day piracy by Daniel Handler, better known as Lemony Snicket.

Stephen Osborne reviews Janet Malcolm's book of essays and discusses the worst novel ever published in Canada.

Mary Schendlinger reviews The Spirit Catches You and You Fall Down, the riveting tale of “a Hmong child, her American doctors and the collision of two cultures.”

Britt Huddart reviews Only Lovers Left Alive by Jim Jarmusch, not your average anguish and fangs vampire movie.

Michael Hayward reviews The Stray Bullet: William S. Burroughs in Mexico and Peter Orlovsky: A Life in Words, works for "only the most dedicated fans of Beat literature."

Lily Gontard reviews The Luminaries and The Douglas Notebooks, two award-winning novels you might not have heard of.

Jill Mandrake reviews There Can Never Be Enough by David Arnason, a combination of dreamscape and tragicomic monologue.

Sex, suicide, Nelson and Cabbagetown—Patty Osborne reviews The Modern World and The Secret Life of Fission, two hard-hitting story collections.

Kelsea O'Connor reviews 101 Two-Letter Words, an illustrated Scrabble guide by Stephen Merritt with running themes of sloths, songwriting and vampire dogs.

Jill Mandrake is blown away by South of Elfrida by Holley Rubinsky, a journey into "the land of guilt and sorrow."

Roni Simunovic reviews Seconds by Brian Lee O'Malley, a graphic novel about getting second chances whether you deserve them or not.

Jesmine Cham talks scaremongering, tinfoil hats and invasive technology in this review of Technocreep by Thomas P. Keenan.

"This is not a documentary; it is, however, an overpowering aesthetic and emotional experience, a true happening"—Stephen Osborne reviews Susan Sontag's film Promised Lands.

Eve Corbel reviews Follow the Rabbit-Proof Fence by Doris Pilkington, in which two girls are taken from their family by Western Australia government officials in 1931.

Michael Hayward reviews Stefan Zweig's The World of Yesterday, a "a window into the vanished world of the Austro-Hungarian Empire."

Dylan Gyles reviews Your Fathers, Where Are They? And the Prophets, Do They Live Forever? by Dave Eggers, the story of a disillusioned young man grappling with life, the universe and metaphysical truths.

Michael Hayward reviews American Smoke by Iain Sinclair, an account of the author's road trip across North America in search of traces of the Beat Generation.

Roni Simunovic reviews Based on a True Story by Elizabeth Renzetti, the bizarrely fascinating tale of a washed-up soap star's struggles with unemployment and substance abuse.

Lily Gontard reviews Cheryl Strayed's Wild: From Lost to Found on the Pacific Crest Trail, a memoir about crisis, redemption and hiking.

Roni Simunovic investigates Hatebeak, a death metal band with an African Grey parrot vocalist.

Phrase books are tools of cultural globalization—but they are also among its casualties.

When building a nation, cultural riches can be lost.

Coming to harbour in a new world.

Science and the arts fulfil their functions to help us survive through the imagination.

Dividing and conquering local populations confines them to manageable administrative units.

In a world dominated by heroes, difference is not tolerated.

“Have patience” and “Tomorrow” are two inseparable locutions in the Portuguese tongue.

For a brief period the band CANO gave shape to the dream of a bilingual Canadian culture.

"The hemispheric context reveals the roots of the residential school system...Destroying Indigenous cultures was a positivist policy from Patagonia to Dawson City."

Lisa Bird-Wilson on UNDRIP, reconciliation, and the anxiety felt by Indigenous people in Canada.

What we do when we absorb words from a screen—and we haven’t yet evolved a verb for it—is not reading.

Libraries are not only essential in educating the soul, but in forming the identity of a society.

Our society is formed on the assumption of a healthy immune system.

The woman who called herself Tatiana Aarons gave me an address that led to a vacant lot.

Dogged dedication grants a reader vicarious immortality.

What we can—and can’t—learn from the plague

On March 5, 2006, a group of people gathered in a small Ontario city in the expectation of having books signed by an author who was not present.

The newspaper wars aren’t what they used to be.

A package-deal paradise reputation curtails gringo knowledge of Dominican life.

Faith seems to shiver when confronted by art.

What can the Brothers Grimm teach us about the state of our economic system? Everything.

Must artists declare their moral integrity?

Without air travel, family networks might have dissolved long ago.

There’s something not quite right about the grid on which the game is played.