The log jam is tall and wide and choosing wrong means we don’t make it home

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The fish is a suspended phantom, its magenta skeleton an exquisite, vibrant exhibit of what lies beneath

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A wildland fighter witnesses an old burn's second act

Memories sneak up, tiptoe quiet as a cat. Boom like a slapshot

The unmistakable buzz of an approaching aircraft is enough to send my family onto the lawn

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This invertebrate does not go looking for prey

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For the sake of the large romantic gesture

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Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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No Skylab buzz in East Germany.

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Nature’s sanctity is the only portal to the future.

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Playing against the fastest chess player in the world.

"You have bruises / There was time / You spent trying to / Heal them. / As in, time wasted."

That’s one for the rice bag!

The maple leaf no longer feels like a symbol of national pride.

"my point that / i is but a : colon grown / too long"

If marriage was a television show, it might look something like this.

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

Scrape every last bit of English out of your throat.

Who puts those little stickers on the apples in the grocery store?

Destroying books for the greater good.

Remembering Norbert Ruebsaat.

Losers: you have a lifetime to hunt.

Violence could not reach them only when they were distant as the moon, not of this world

“The first time I met him, he caused me to float to the ceiling"

Sebastian and I enjoy making fun of le mythomane. We compare him to characters in novels. Maybe he can’t return home because he’s wanted for a crime.

What does it mean to love a band? A friend? A nation?

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Mastery of the self

Asterix the Gaul (Orion), a comic book classic recently reprinted, tramples over all sorts of contemporary niceties.

Ashley Kahn’s book A Love Supreme: The Story of John Coltrane’s Signature Album, a lovingly detailed account of the creation of John Coltrane’s classic album of the same name, is a cause for celebration.

Just five pages into A Date With Destiny: Night of a Thousand Boyfriends by Miranda Clarke, I can’t decide whether to go to a hotel with an importer/exporter named Chaz, or ditch Chaz and go dancing at Club Neptune with a woman named Danni.

The fourth volume in the Da Capo Best Music Writing pulls together some of the finest music writing published in 2003. It is rife with typos, but the articles are compulsively readable and they cover “rock, pop, jazz, country and more."

Each book in the ongoing Complete Peanuts series (Fantagraphics) is beautifully designed by the Canadian cartoonist Seth, and features two years of thoughtfully reproduced daily and Sunday newspaper cartoon strips.

“I knew that I would dream that night of the city in flames, the brown-brick towers falling, caving in on themselves (in slow motion, great clouds of burning dust), proud lights flickering out, psssfft, all the messages going dark one by one."

Did you know that you are more likely to encounter Worcestershire sauce stains in winter and that correction fluid stains are most common in April?

The Secret Voyage of Sir Francis Drake 1577-1580, by Samuel Bawlf, completes the story of European adventure in the north of North America in the sixteenth century.

Snow Walker, the film made from Farley Mowat’s book of stories, contains much cornball scripting, some wretched dialogue and a ponderous, bellowing soundtrack that equals the worst excesses of Cecil B DeMille’s Bible epics.

Eduardo Galeano’s Soccer in Sun and Shadow (Verso) collects his ruminations on the history and future of soccer, and consists of vignettes describing famous players, unlikely goals and every World Cup final since 1930.

Lisa Pasold’s poetry collection, Weave, reads as a memoir of the twentieth century in a world bounded by Prague and Peru and the Russian front and the shores of Lake Ontario.

Bob Gaulke’s description of his travels in Salvador (a region of Brazil), in The Nervous Tourist, evokes the age of imperialism. This modest chapbook contains insightful, engaging and funny writing about the eye-opening experience of travel.

The Corporation: The Pathological Pursuit of Profit and Power and in the film it is based on, turns notions about corporate responsibility and accountability into oxymorons.

The protagonist of The Cripple and His Talismans by Anosh Irani (Raincoast) is a self-centred, self-absorbed, wealthy-but-have-chosen-to-live-among-the-crippled-and-poor-in-Bombay man.

In Astrid van der Pol’s poetry collection, Invisible Lines (BuschekBooks), the past is the most hopeful, whereas each new future enters some form of sadness.

Writing on the Rock, which takes place on Denman Island, B.C., in early August, is now my favourite writers’ festival.

When Geist requested a copy of How to Be a Domestic Goddess: Baking and the Art of Comfort Cooking by the new English kitchen queen Nigella Lawson (Knopf Canada) “for review purposes,” the distributor wrote back to say “fat chance.”

Nomadic culture is at the core of Larry Frolick’s Grand Centaur Station: Unruly Living with the New Nomads of Central Asia.

Mandelbrot reviews Vanishing Point, a documentary by Stephen A. Smith and Julia Szucs.

Patty Osborne reviews four new books from Mansfield Press.

What makes [Palmer] Cox so interesting, at least to Nick Mount in his new study When Canadian Literature Moved to New York (University of Toronto Press), is that he was part of a literary expatriation of Canadian writers to the United States. At the

Stephen Osborne reviews The Parabolist by Nicholas Ruddock (Doubleday).

Roni Simunovic reviews Ashley Little's BC Book Prize-winning novel, Anatomy of a Girl Gang, which follows the story of five teenage girls growing up in Vancouver's Downtown Eastside.

Patty Osborne reviews Razorcake and Tom Tom Magazine, two offbeat punk music publications.

Memories lie because they build on memories. I think that I remember something, but in fact I remember remembering it, and so on through countless layers of memory. Every memory is a mise en abyme.

Begging the question of what can be defined as “form.”

The crowds learned that they could not act effectively in the present without confronting the past, specifically the historical treatment of indigenous people.

On the screen, only the image—not the word—can become the world.

It all started with a zesty little book about getting old.

Donald Creighton was a bigot and a curmudgeon, a cranky Tory with a chip on his shoulder. He was also the country’s leading historian, who changed the way that Canadians told their own story.

The novelist can often better define reality than the historian.

"We know that life-altering and possibly cataclysmic change is coming, and we continue to live as we have always done."

"Since the beginning of time (the telling of which is also a story), we have known that words are dangerous creatures."

Lacking in drama and embarrassingly undemocratic, Canada’s origins owe a lot to old-fashioned politics and not much to European battles or transcontinental railways.

"Authenticity is the essential quality of all travel literature, imaginary or real."

Alberto Manguel examines the rich symbology of the fist, a primal symbol of rebellion and grief, across cultures and history.

"Resistance to wars is as much a Canadian tradition as fighting them." Daniel Francis discusses alternative histories, anti-draft demonstrations and the divisive nature of war.

The writer who is loved by all, by definition, neglects literature’s prime responsibility: to offend.

Daniel Francis discusses Canada's failing mental health care system and its long history of mistreatment.

Aboriginal people are creating a new version of Canada, and non-Aboriginals can lend a hand or get out of the way—Daniel Francis on the new Canadian narrative.

Stephen Henighan asks: what if you don't have a tidy answer to "Where are you from?"

"Cross-country skiing offered me the reassurance sought by the immigrant who is excluded from his locality’s history: a viable alternate route to belonging."

European Jewish artisans on horseback in Argentina.

"Sometimes, in politics or history, certain words, certain names are sufficient unto themselves: it is as if there were names that once pronounced require no further telling."

"In the public eye, universities have never recovered from the antics of Donald Sutherland as Professor Jennings in the 1978 film Animal House."

Daniel Francis asks why a high-speed commuter route runs through Stanley Park, Vancouver's precious urban oasis.

"A library is never finished, only abandoned." Alberto Manguel on incompletion, voluntary interruption and the pleasure of the day before.

The assumption of mutual comprehensibility between speakers of Spanish and Portuguese creates a culture of mutual ignorance.