Sue Wheeler’s new book of poems, Habitat (Brick Books), which I read on the brink of winter in Alberta, took me back to a time I lived on the west coast of B.C., where winter was listless and wet, none of this chinook then snow, chinook then snow I’v

Unfamiliar Weather (The Muses’ Company) is a first book of poems by Chris Hutchinson, who isn’t so tempered in his questions but plunges into them head-first and thirsty. These poems are afflicted by rain and sometimes flooded.

A curious inscription in a copy of a book called Fir-Flower Tablets: Poems from the Chinese inspired Peter Sanger to write White Salt Mountain (Gaspereau Press), a book that weaves together stories and facts about the life of Florence Ayscough, a lar

A friend told me recently that women who write write like they are weaving and men who write write like they are having sex. Women bring together strands of things, she said, and connect them. Men focus relentlessly on a particular end, with an urgen

Last summer I hiked up to a fire lookout in Alberta to visit a friend who lives there for part of each year, and tucked in my sturdy pack was Roo Borson’s Short Journey Upriver Toward Oishida (McClelland & Stewart), which I was taking to my friend as

Thinking and Singing: Poetry and the Practice of Philosophy is Lilburn’s most recent project, a collaboration with Jan Zwicky, Don McKay, Dennis Lee and Robert Bringhurst. Together they think and sing about eros, dreaming, naming, rhythm and ruminati

When I saw Jan Zwicky’s latest book, Wisdom and Metaphor (Gaspereau Press) on the shelf at a local bookstore, I bought a copy for myself and another as a birthday gift for a friend.

[My husband] and his oldest friend drove down the Nass Highway in an old two-tone blue Volvo station wagon, then parked and sat on the hood to watch the mountains and the setting sun while the Rheostatics’ Music Inspired by the Group of Seven album (

When I first opened Suzanne Buffam’s book Past Imperfect (Anansi), I thought it might strive in a similar way to Yesterday, at the Hotel Clarendon by Nicole Brossard. In the first poem, “Another Bildungsroman,” the speaker grows up, leaves home, fall

Here is your rickety wooden poem. Here is your red, peeling paint poem, your weather-beaten and abused poem. Here is your hands-full-of-slivers poem, knuckle-broken and arthritic.

Did you know that you are more likely to encounter Worcestershire sauce stains in winter and that correction fluid stains are most common in April?

The first time I sat down to read Tim Lilburn’s book Living in the World as if It Were Home (Cormorant), I went to it with the kind of mind and feeling that I take to my favourite shelf of music at Megatunes or my Grandma’s cheese and Hovis bread san

According to legend and prophecy, this child would possess the second sight.

The Calgary floods left behind a stew of knee-deep mud, and waterlogged piles of couches, fridges, books, toys, artworks, chairs, carpet, drywall...

You are clearly preoccupied with love. See the way you siftthrough the lint from your purse, searching for the backing ofan earring. See the runway of broken leaves and bread crumbscollecting under the emergency brake in your car. Messy, messy.

Fill the room with a flock of moths.

Jill Boettger reviews Double Lives: Writing and Motherhood, a collection of 22 essays by women who are both mothers and writers.

Just five pages into A Date With Destiny: Night of a Thousand Boyfriends by Miranda Clarke, I can’t decide whether to go to a hotel with an importer/exporter named Chaz, or ditch Chaz and go dancing at Club Neptune with a woman named Danni.

In his series of books called Preposterous Fables for Unusual Children (Bayeux Arts), Judd Palmer revisits traditional tales and rewrites them with unlikely heroes and peculiar details.