Dear Geist,

What's the difference between an edit and a rewrite? I sent a long essay to a literary mag. They accepted it with enthusiasm and said editorial suggestions would appear soon. A week later the essay comes back and everything is changed—not just small stuff but the order of things, and hunks of my prose gone and someone else's added. Holy Hubris, Batman! Is this ethical, and is it common?

Dear G.P.M.,

“Editing” covers many processes: accepting the work and negotiating the contact; working with the author on shape, length, focus, voice and other substantial matters; line/stylistic editing; copy editing; fact-checking; proofreading; and so on. Every editor has a style of working with an author, and different editors may work on the manuscript in different phases of editorial work, from big-picture to small-detail editing. That editing style may be a set of written notes for the author to use in revising; or it may be one or more conversations in which comments, questions and debates point the way to the author's next draft; or the editor may simply take the manuscript by the horns and rewrite (an approach famously preferred by the writer/editor Gordon Lish). Writers' participation in the process varies as well, from those wishing to be part of every detail, to those who hand the approved draft to the publisher for editing and production and barely check the results, to others in between.

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