Who today remembers the man who carried Einstein’s head in a box through the streets of Vancouver? We remember clearly the box (dark wood, varnished, the door on brass hinges: what about the latch?) with Einstein’s head in it, a plaster model (was it plastic, perhaps? modelling clay? plasticine?)

She would see him sometimes around Yaletown, her former counsellor, heading glassy-eyed toward a bar or creeping up the back steps of the massage parlour.

The time had come for our marathon trek through Europe. I was ten, and hated it already.

A greying, sunburnt American mis­sionary stopped us in the fruit market and invited us for a drink.

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With the approach of her tenth summer, Julia considers the holidays that lie before her: will there be too many things for her to do? Trying to look ahead from school time, with its time-tables and schedules, makes it hard to remember, or to imagine, what summertime will be before summer arrives and the school year ends. In the summer when I was Julia’s age I heard Elvis Presley for the first time, down by the river on the jukebox in the fish-and-chip joint where teenagers went to hold hands and drink ice cream sodas and eat salted french fries drenched in vinegar.

Toward the end of her life I drew close to Althea, the cat who had been with Mary and me for five or maybe six years, ever since her real owner, Mary’s daughter Karen, had to find a home for her when a landlord invoked the no-pets rule, and Mary and I were living mere blocks away, completely petless and, some might say, carefree.

I am down in the cabin and Ross, who is eighty feet up in the fire tower, sees smoke. He tries to report it but his radio isn’t working and nobody can understand him. They phone him back on the cell: does he need the water bombers? He says no, it’s just a spot fire. In that moment a huge gust of wind blasts through the cabin, blows a towel off a rack, slaps it against the valve of the water cooler and turns on the water.

My mother stands at the top of the stairs, thin as a skeleton and reeking of booze. “Are you drunk?” I ask. “No,” she says. “Have you had anything to drink today?” “No,” she says. Lies, all lies. There are always more.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

Mastery of the self

"If you are still alive, you must have had the experience of surrendering."

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

Speaking of characters, for me there is no better way to understand history than to read about it in a good story that shows you what it was like to be alive back then. Lately I’ve read several children’s books that fill the bill.

In 1738 in London, informers who exposed gin-sellers were frequently attacked by mobs of citizens. They were beaten up, burned in effigy and dunked in horse ponds and cesspools. At least one informer died of wounds after boiling water was poured down

When I first encountered Guilermo Verdecchia's name I took the approach of a typical Saxon and avoided saying it out loud. So as I watched the film Crucero/Crossroads (Mongrel Media) I sympathized with Verdecchia's grade one teacher, a wholesome youn

Steve Mann, a professor at the University of Toronto, is the subject of Cyberman (2001), a fascinating film by Peter Lynch. He is also a cyborg, a concept he explains in Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Compute

The two biggest trends in literature right now are spoken word and cybertext. The first is framed in a performance setting by wannabe rock stars, the second is played out on a computer by individuals dubbed cyber-punks.

My maternal nerve-ends were still vibrating from that article a few days later when I went to see Crumb, a film by Terry Zwigoff about the American comics artist Robert Crumb. The film is a shocking, riveting but not lurid meditation on what shapes a

While I was looking at a poster for Lars Von Trier's Dancer in the Dark, two women rushed up and begged me not to go in, crying "It's terrible, we couldn't sit through it!" I might have been swayed if a friend hadn't warned me that he almost left, ev

Supernatural beings seem to have it easy: their purpose in life (or life after death) is clear and their mission to frighten or eat humans should be simple enough. But the creatures in Day Shift Werewolf (3-Day Books) suffer from the same self-doubt,

Kris Rothstein reviews Darwin's Bastards (Douglas & McIntyre).

In Deactivated West 100 (Gaspereau Press), Don McKay continues to develop the poetics of place that he began with Vis à Vis (Gaspereau Press, 2001). In both books he tries “to think the relation between place and wilderness without going dizzy from a

Until I cracked open Terry Glavin's Dead Reckoning: Confronting the Crisis in Pacific Fisheries (Greystone), I thought fish had no more significance to me than the wasabe and the soy sauce on the side. Now I know different.

It’s a miracle that only two people die in Dead Man in the Orchestra Pit by Tom Osborne (Anvil Press), during a weekend in Vancouver when a hotel robbery goes terribly wrong and the thieves get tangled up with Grey Cup rabble-rousers and the backstag

David Dennings, the narrator of Ann Diamond’s new novel, Dead White Males (Livres DC Books), is a wacky hairdresser much like the one I visit every couple of months. But whereas my stylist is a filmmaker, Diamond’s is trying to be a hard-boiled priva

I finished Dead Girls (McClelland and Stewart) with a heavy feeling in my stomach. It’s not just that the stories are disturbing, it’s that I, the reader, have been made witness to this disturbance.

Soon after reading Moodie's Tale I ran across Death by Degrees (Doubleday), which features Wright's Inspector Charlie Salter, a middle-aged detective just as perplexed by the ironies of life as the rest of us. Death by Degrees takes place at a commun

Only now, eighty years after the war, are we given the explanation of that process of transformation, in the pages of Death So Noble: Memory, Meaning, and the First World War, by Jonathan F. Vance (UBC Press). Vance tells the story of a tiny country

Dead Certainties, by Simon Schama (Vintage), contains two "experiments in historical narrative" that should be on the reading list of anyone interested in how we imagine the past, and how the past is imagined for us. The first piece, "The Many Deaths

Another book that deals with the Little Sister's trial is a little chapbook called Detained at Customs (Lazara Press) which gives the full testimony of Jane Rule, an important witness for the prosecution. Rule shows us the impossibility of arriving a

Long before the arrival of the wealthy boat owners, the Sound was home to large groups of coastal First Nations and subsequently many European settlers found their way there (we call them stump farmers here on the coast). This is the story Heather Ha

NeWest Press does a better job with Diamond Grill by Fred Wah. Wah is one of Canada's best contemporary poets but he is new to prose, and the appeal of a poet writing fiction is too tasty to pass up.

“This mental mucus is driving me mad. The Japanese blow their noses on paper too.” Thus begins The Diary of Andrés Fava (Archipelago), Julio Cortá

In Dharma Punx—A Memoir (Harper), Noah Levine begins his story as an adolescent punk in Santa Cruz, California, plunging in and out of mosh pits, acid trips, battles with bottles of Jack Daniels, small-time theft, post-“experimental” narcotics and ju

For the uninitiated, the poetic mysteries of baseball can seem elusive if not downright silly. Diamonds Are Forever: Artists and Writers on Baseball (Chronicle), a print version of the Smithsonian Institution exhibition of the same name, doesn’t set

Few people have been disappointed by Monopoly, the real estate free-for-all that has been entertaining people all over the world since the 1930s, sometimes for weeks at a time. The love of this game inspired one player, a journalist named Tim Moore,

Phrase books are tools of cultural globalization—but they are also among its casualties.

When building a nation, cultural riches can be lost.

Coming to harbour in a new world.

Science and the arts fulfil their functions to help us survive through the imagination.

In a world dominated by heroes, difference is not tolerated.

Dividing and conquering local populations confines them to manageable administrative units.

“Have patience” and “Tomorrow” are two inseparable locutions in the Portuguese tongue.

For a brief period the band CANO gave shape to the dream of a bilingual Canadian culture.

Lisa Bird-Wilson on UNDRIP, reconciliation, and the anxiety felt by Indigenous people in Canada.

"The hemispheric context reveals the roots of the residential school system...Destroying Indigenous cultures was a positivist policy from Patagonia to Dawson City."

What we do when we absorb words from a screen—and we haven’t yet evolved a verb for it—is not reading.

Libraries are not only essential in educating the soul, but in forming the identity of a society.

Our society is formed on the assumption of a healthy immune system.

What we can—and can’t—learn from the plague

Dogged dedication grants a reader vicarious immortality.

The woman who called herself Tatiana Aarons gave me an address that led to a vacant lot.

On March 5, 2006, a group of people gathered in a small Ontario city in the expectation of having books signed by an author who was not present.

The newspaper wars aren’t what they used to be.

A package-deal paradise reputation curtails gringo knowledge of Dominican life.

What can the Brothers Grimm teach us about the state of our economic system? Everything.

Faith seems to shiver when confronted by art.

Must artists declare their moral integrity?

Without air travel, family networks might have dissolved long ago.

There’s something not quite right about the grid on which the game is played.