Michal Kozlowski reports on the state of publishing: s'mores, Titantic metaphors, Celtic jigs, steak canapés and mechanical bull riding.

Stephen Osborne says goodbye to Stephen Harper.

David Albahari visits Canadian cities and remembers a slogan from the former Yugoslavia: Get to know your country in order to love her.

“Thank Christ,” says Dieter when I finally wake up. “I thought you were dead.”

Wally, the orange tabby: Fell out of travel trailer going over Pavillion Mountain, may be living happily at farm on top of mountain.

"The seven of us sat around a small, wobbly table in the living room and stared at each other between shots of rotgut vodka."

My friend, who writes poems and stories, tells me in the café that he finds it more and more difficult to deal with the writer inside him.

Stephen Osborne plunges into the pedestrian flow and encounters panhandlers, magicians and a cyclist praying to a monument of Edward VII.

"The tour guide said: every hour you spend down in the mine adds three minutes to your life." Michal Kozlowski reports from 300 feet below ground.

During World War II my grandmother ran contraband, hunted pigeons.

Lindsay Diehl encounters choppy waves, a beautiful man in a hot tub and a pendant shaped like a curved tongue on a trip to Hawaii.

"I glanced at Jack, his tattooed arms, his gloved hands resting on the wheels of his manual chair. If only I could get my arms back. I could live with anything else."

Roni Simunovic catalogues types of literary festival attendees: the jaded art student, the CanLit socialite, the overworked publisher and more.

Eve Corbel on marriage and what comes after the wedding: the monster mortgage, the dreary housework, the contemptuous in-laws and more.

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…in the Maple Leaf Lounge at the John G. Diefenbaker Airport in Saskatoon, Saskatchewan.

If a house were a good thing, the wolf would have one.

Veronica Gaylie encounters invisible lamps, uncooperative clerks and a cushion with a bear and/or badger on it during a trip to London.

"Could I forget: the look that tells me you want me"—Vincent Pagé creates Google autocomplete poetry.

On her first communion, a young girl searches for peace of mind in a world of purgatory, UFOs and the Lennon Sisters.

"The soiled side of the shirt is the great baggage of dreams"—Stephen Osborne dreams of Hemingway, Harper and profiteroles.

The zine scene—comics, wrestling, skateboarding and music.

Jeff Shucard reminisces about St. Patrick's Day, 1979: druidic magic, Irish fiddle tunes and the greatest piss-up of all time.

The rasp, the spatula and the corkscrew—Eve Corbel's series of obsessive cooks.

Diana Fitzgerald Bryden attends Between the Pages, the pre-Giller hybrid that’s a kind of sacrificial altar/beauty pageant for six Canadian authors.

Stephen Osborne on dog walking, the absurdity of online writing guides and the THE building.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

Mastery of the self

"If you are still alive, you must have had the experience of surrendering."

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

When I first encountered Guilermo Verdecchia's name I took the approach of a typical Saxon and avoided saying it out loud. So as I watched the film Crucero/Crossroads (Mongrel Media) I sympathized with Verdecchia's grade one teacher, a wholesome youn

Steve Mann, a professor at the University of Toronto, is the subject of Cyberman (2001), a fascinating film by Peter Lynch. He is also a cyborg, a concept he explains in Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Compute

The two biggest trends in literature right now are spoken word and cybertext. The first is framed in a performance setting by wannabe rock stars, the second is played out on a computer by individuals dubbed cyber-punks.

My maternal nerve-ends were still vibrating from that article a few days later when I went to see Crumb, a film by Terry Zwigoff about the American comics artist Robert Crumb. The film is a shocking, riveting but not lurid meditation on what shapes a

While I was looking at a poster for Lars Von Trier's Dancer in the Dark, two women rushed up and begged me not to go in, crying "It's terrible, we couldn't sit through it!" I might have been swayed if a friend hadn't warned me that he almost left, ev

Supernatural beings seem to have it easy: their purpose in life (or life after death) is clear and their mission to frighten or eat humans should be simple enough. But the creatures in Day Shift Werewolf (3-Day Books) suffer from the same self-doubt,

Kris Rothstein reviews Darwin's Bastards (Douglas & McIntyre).

In Deactivated West 100 (Gaspereau Press), Don McKay continues to develop the poetics of place that he began with Vis à Vis (Gaspereau Press, 2001). In both books he tries “to think the relation between place and wilderness without going dizzy from a

Until I cracked open Terry Glavin's Dead Reckoning: Confronting the Crisis in Pacific Fisheries (Greystone), I thought fish had no more significance to me than the wasabe and the soy sauce on the side. Now I know different.

It’s a miracle that only two people die in Dead Man in the Orchestra Pit by Tom Osborne (Anvil Press), during a weekend in Vancouver when a hotel robbery goes terribly wrong and the thieves get tangled up with Grey Cup rabble-rousers and the backstag

David Dennings, the narrator of Ann Diamond’s new novel, Dead White Males (Livres DC Books), is a wacky hairdresser much like the one I visit every couple of months. But whereas my stylist is a filmmaker, Diamond’s is trying to be a hard-boiled priva

I finished Dead Girls (McClelland and Stewart) with a heavy feeling in my stomach. It’s not just that the stories are disturbing, it’s that I, the reader, have been made witness to this disturbance.

Soon after reading Moodie's Tale I ran across Death by Degrees (Doubleday), which features Wright's Inspector Charlie Salter, a middle-aged detective just as perplexed by the ironies of life as the rest of us. Death by Degrees takes place at a commun

Only now, eighty years after the war, are we given the explanation of that process of transformation, in the pages of Death So Noble: Memory, Meaning, and the First World War, by Jonathan F. Vance (UBC Press). Vance tells the story of a tiny country

Dead Certainties, by Simon Schama (Vintage), contains two "experiments in historical narrative" that should be on the reading list of anyone interested in how we imagine the past, and how the past is imagined for us. The first piece, "The Many Deaths

Another book that deals with the Little Sister's trial is a little chapbook called Detained at Customs (Lazara Press) which gives the full testimony of Jane Rule, an important witness for the prosecution. Rule shows us the impossibility of arriving a

Long before the arrival of the wealthy boat owners, the Sound was home to large groups of coastal First Nations and subsequently many European settlers found their way there (we call them stump farmers here on the coast). This is the story Heather Ha

NeWest Press does a better job with Diamond Grill by Fred Wah. Wah is one of Canada's best contemporary poets but he is new to prose, and the appeal of a poet writing fiction is too tasty to pass up.

“This mental mucus is driving me mad. The Japanese blow their noses on paper too.” Thus begins The Diary of Andrés Fava (Archipelago), Julio Cortá

In Dharma Punx—A Memoir (Harper), Noah Levine begins his story as an adolescent punk in Santa Cruz, California, plunging in and out of mosh pits, acid trips, battles with bottles of Jack Daniels, small-time theft, post-“experimental” narcotics and ju

For the uninitiated, the poetic mysteries of baseball can seem elusive if not downright silly. Diamonds Are Forever: Artists and Writers on Baseball (Chronicle), a print version of the Smithsonian Institution exhibition of the same name, doesn’t set

Few people have been disappointed by Monopoly, the real estate free-for-all that has been entertaining people all over the world since the 1930s, sometimes for weeks at a time. The love of this game inspired one player, a journalist named Tim Moore,

Critical theory is not known to zing and hum with the menacing eloquence of Dashiell Hammett, but Double Cross: the Hollywood Films of Douglas Gordon (Art Gallery of York University/ The Power Plan) by Philip Monk, comes close.

The protagonist of Doctor Bloom’s Story by Don Coles (Vintage) is embarrassingly tall, in his mid-50s, Dutch, likes to read good books, and I suspect that he’s handsome in the way that tall Dutchmen are supposed to be handsome. He writes, too, recrea

Military coups, civil wars, and NAFTA are the cause of trilingual labels in Canadian big box stores.

A writer whose work is among the most important contributions to the literature of the Holocaust is forgotten by almost all.

During the 1950s the RCMP used a machine to identify federal employees who were homosexuals. The name of this bogus device? The "fruit machine," of course.

Richard Stursberg’s memoir of his years in CBC programming raises the question: How did someone with no sympathy for public broadcasting get the job in the first place?

Stephen Henighan argues that efficiency has become a core value that heightens social divisions.

In the world between here and there, what place does one call home?

Stephen Henighan remembers Mavis Gallant, the original nomad of Canadian literature, who wrote some of Canada's finest fiction at Pablo Picasso's café table in Paris.

Stephen Henighan investigates bus travel as one of Canada's last surviving democratic spaces.

Daniel Francis investigates the practice of visiting asylums and penitentiaries as entertainment in nineteenth-century Canada.

How much does a photograph really capture the essence of a person?

Daniel Francis explores the photographer as Vancouver's most interesting historian.

Alberto Manguel reflects on art as a witness to the human desire to be infinite and eternal.

As Canadian leaders look to emulate Asian nations, our government fails to see that the tigers' fatal flaw is the absence of democracy. Or, maybe they do see.

The Great White North gets rebranded and gains some military muscle: goodbye peacenik, hello soldier.

I’ve now read Comment parler des livres que l’on n’a pas lus? and I’m happy to say that I was right.

A French writer whose name I hadn’t heard before, Pierre Bayard, has written a book called Comment parler des livres que l’on n’a pas lus? published by Éditions de Minuit in a collection aptly titled Paradoxe. A number of critics in France have writt

In 2002, when my essay collection When Words Deny the World was published, people started behaving strangely. Ambitious young writers scurried out of sight when I entered a room, as though afraid that irate authors might banish them from Toronto for having spoken to me.

One of the indispensable figures of contemporary journalism is the cutting-edge cultural commentator. The columnist who offers sardonic insights into trends, fashions, television shows and publishing personalities has become an institution.

Since the Wall came down, East German socialists in Prenzlauer Berg are free to sip coffee and talk about art.

When the crash came, Canadians paid the price for the colonized mentalities of their investment advisors.

I met Alejandra Pizarnik in Buenos Aires, in 1967, five years before her death. I had asked her to contribute to an anthology of texts that purported to continue an interrupted story begun in Shakespeare’s The Winter’s Tale: “There was a man dwelt by a churchyard.” She agreed and wrote a haunting piece called “Los muertos y la lluvia,” “The dead and the rain.” The book was never published, but we became friends.

From the trench coat to the Hummer, what does the militarization of style say about us?

In 2007, when The Penguin Book of Canadian Short Stories was published, Urquhart sent me a copy. As I examined the table of contents, I felt a dull thunk in my chest.

When General James Wolfescampered up the steep path that carried him onto the Plains of Abraham andinto the pages of the history books, what was he thinking?