Who today remembers the man who carried Einstein’s head in a box through the streets of Vancouver? We remember clearly the box (dark wood, varnished, the door on brass hinges: what about the latch?) with Einstein’s head in it, a plaster model (was it plastic, perhaps? modelling clay? plasticine?)

She would see him sometimes around Yaletown, her former counsellor, heading glassy-eyed toward a bar or creeping up the back steps of the massage parlour.

The time had come for our marathon trek through Europe. I was ten, and hated it already.

A greying, sunburnt American mis­sionary stopped us in the fruit market and invited us for a drink.

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With the approach of her tenth summer, Julia considers the holidays that lie before her: will there be too many things for her to do? Trying to look ahead from school time, with its time-tables and schedules, makes it hard to remember, or to imagine, what summertime will be before summer arrives and the school year ends. In the summer when I was Julia’s age I heard Elvis Presley for the first time, down by the river on the jukebox in the fish-and-chip joint where teenagers went to hold hands and drink ice cream sodas and eat salted french fries drenched in vinegar.

Toward the end of her life I drew close to Althea, the cat who had been with Mary and me for five or maybe six years, ever since her real owner, Mary’s daughter Karen, had to find a home for her when a landlord invoked the no-pets rule, and Mary and I were living mere blocks away, completely petless and, some might say, carefree.

I am down in the cabin and Ross, who is eighty feet up in the fire tower, sees smoke. He tries to report it but his radio isn’t working and nobody can understand him. They phone him back on the cell: does he need the water bombers? He says no, it’s just a spot fire. In that moment a huge gust of wind blasts through the cabin, blows a towel off a rack, slaps it against the valve of the water cooler and turns on the water.

My mother stands at the top of the stairs, thin as a skeleton and reeking of booze. “Are you drunk?” I ask. “No,” she says. “Have you had anything to drink today?” “No,” she says. Lies, all lies. There are always more.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

Mastery of the self

"If you are still alive, you must have had the experience of surrendering."

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

In the early 1960s, the Beat poet Gary Snyder was studying Buddhism in Japan with just one published book of poetry (Myths & Texts) to his credit.

True or False: Breast cancer always shows up on a mammogram, early detection is your best protection, studies show a low-fat diet is linked to a lower incidence of breast cancer, mortality rates for breast cancer are going down. Answers: False, false

When I first opened Suzanne Buffam’s book Past Imperfect (Anansi), I thought it might strive in a similar way to Yesterday, at the Hotel Clarendon by Nicole Brossard. In the first poem, “Another Bildungsroman,” the speaker grows up, leaves home, fall

Paula Spencer is forty-eight. She hasn’t had a drink for four months and five days. She wants a drink. She doesn’t want a drink. She fights. She wins. But she’s alone. She’s got kids, two grown, two still at home.... The book is Paula Spencer (Knopf)

A review of Julie Otsuka's novel, The Buddha in the Attic, about Japanese picture brides in the 1920s.

This year’s winner of the People’s Choice Award for Most Popular International Film was Persepolis, a mostly black-and-white animated film adapted from the graphic memoir by Marjane Satrapi, who documents her childhood in Iran, first living under the

Are the Québecois the only moviemakers in North America with a sense of humour? Latest evidence to hand would certainly suggest so: three movies in the local video place this season and all winners.

PhotoGraphic Encounters: The Edges and Edginess of Reading Prose Pictures and Visual Fictions (University of Alberta Press and the Kamloops Art Gallery) contains much promise of “edginess” and “subversion,” once the great virtues of the postmodern ag

Pitseolak: Pictures Out of My Life, by Pitseolak Ashoona and Dorothy Harley Eber (McGill-Queen’s), is not a small book but it’s a little story made large by Pitseolak’s energetic drawings.

Belated discovery of the season: John Buell, whose novel Playground was originally published in 1976 and more recently by HarperCollins in a paperback edition bearing the single quote: "Canada's most brilliant suspense novelist.–New York Times." But

The Aran Islands are described in my guidebook to Ireland as isolated, rugged and beautiful. In Plenty of Harm in God by Dana Bath (DC Books), they are the setting for a lot of human drama as well.

Portable Altamont by Brian Joseph Davis (Coach House) is an astounding book of comic genius for slackers and Gen X-ers the world over. Davis has created strange, outlandish riffs on popular culture, paying homage to our literary and musical icons, by

E.C. Segar’s earliest Popeye comics have just been made available in a gorgeously designed hardcover, also from Fantagraphics. Segar’s Thimble Theatre strips featured some of the most charming characters ever to appear in newsprint, including the hil

My dog-eared copy of Juxtsuppose, a zine "conceived and coordinated by Billy Rueben and Brad Y" (available at Box 30007 Parkgate, N. Vancouver V7H 2Y8) represents the best two bucks I've spent all year.

The latest fashion in Canadian publishing appears to be for books of short stories or slim novels from recent graduates of creative writing programs, as publishers hedge their bets by trying to find writers with credentials. Creative writing workshop

Michael Hayward reviews Level 26: Dark Origins (Dutton).

One of the richest collections of unusual zines and artist-made books in the country has recently been installed in its new permanent home: the lowercase reading room, on Main Street in Vancouver.

If you’ve never read a story about dry cleaning, try Miss September by François Gravel (Cormorant, translated by Sheila Fischman). In it, Geneviève Vallière, a disenchanted twenty-two-year-old, pulls off the perfect bank robbery and puts the money in

When the reviews of Douglas Coupland’s Miss Wyoming (Random House) first came out, I was sitting in a diner on Yonge Street eating scrambled eggs and hash browns. This time Coupland’s lost souls are John Johnson, a movie producer, and Susan Colgate,

An etymological definition of the verb dwell prefaces Karen Solie’s second collection of poetry, Modern and Normal (Brick Books). This definition, “to lead astray, deceive; to hinder; to wander; to tarry,” sets the tone for a series of poems in perpe

An etymological definition of the verb dwell prefaces Karen Solie’s second collection of poetry, Modern and Normal (Brick Books). This definition, “to lead astray, deceive; to hinder; to wander; to tarry,” sets the tone for a series of poems in perpe

It seems ironic that an authoritative history of modern Egyptian art should be written on the west coast of Canada, until one reads Modern Egyptian Art by Liliane Karnouk (American University in Cairo Press) and realizes that Egyptian artists, citize

Betsy Warland's new book is Blood-root: Tracing the Untelling of Motherless (Second Story), an unnecessarily clunky title for such a strong and wonderful book. There are encounters in this book between mother and daughter and daughter and father that

Another elegant Archipelago production is Posthumous Papers of a Living Author by the Austrian modernist Robert Musil.

After fol

Stephen Henighan exposes the errors, omissions and problems with the Conservative party's study guide for Canadian citizenship.

Alberto Manguel examines a modern-day book burning and asks: how is this still happening?

Do shared languages form the natural boundaries of any nation in the world?

A reflection on the complex and often inexplicable process of bibliographic categorizations.

Reflections on how a bar in Parc Extension, QC, influenced an eponymous poem about "unprogress, inertia, the failure to learn from mistakes."

Alberto Manguel remembers a golden era in Canadian writing, comments on our current cultural climate and proposes a brighter future.

I remembered past ordeals: a U.S. official who squeezed out my toothpaste tube on the train from Montreal to Philadelphia, another who hauled me off a bus for a lengthy interrogation.

"And what is the use of a book," thought Alice, "without pictures or conversation?" —Lewis Carroll, Alice’s Adventures in Wonderland

Parables, cautionary tales, morality plays, allegories—the notion that we can study literary works as texts of ethics is as old as literature.

Bohemia is a good place to grow as a writer, but is it a good place to live one’s whole life?

He is one of the strangest crea

A misogynist, a racist and an academic walk into a bar...

For most artists, the learning of the craft never ceases, and no resulting work is fully achieved

For an English-speaking Canadian who has been exposed to French from an early age, Paris is the most disorienting city in Europe. It is grandiose, but it is mundane.

According to the numbers, Canada will never produce another Atwood or Findley.

No one knows quite how to account for the well-established shops in Vancouver, Toronto and other cities that deal exclusively in fountain pens and fine fountain-pen accessories.

Some years ago, Susan Crean amusingly suggested that nations might be defined or understood through their emblematic children’s books and according to whether the protagonist was male or female.

Reconsidering the faintly embarrassing Pierre Berton.

A bibliophile's worst nightmare: being stuck on a plane with a terrible book. A book mistaken for a work of serious history.

Stephen Henighan argues that audiences used to have different opinions on the news; now they cannot even agree on the terms of debate.

Alberto Manguel compares his life in the French countryside to that of Cain, whom God despised for being a settled crop farmer, and whom he punished by forcing him to wander.

When Frank Warren began collecting the secret thoughts of strangers at PostSecret.com, he inadvertently created a new genre.

When you find yourself laid up in a sterile hospital room, which books do you want to have with you?