Who today remembers the man who carried Einstein’s head in a box through the streets of Vancouver? We remember clearly the box (dark wood, varnished, the door on brass hinges: what about the latch?) with Einstein’s head in it, a plaster model (was it plastic, perhaps? modelling clay? plasticine?)

She would see him sometimes around Yaletown, her former counsellor, heading glassy-eyed toward a bar or creeping up the back steps of the massage parlour.

The time had come for our marathon trek through Europe. I was ten, and hated it already.

A greying, sunburnt American mis­sionary stopped us in the fruit market and invited us for a drink.

‍

With the approach of her tenth summer, Julia considers the holidays that lie before her: will there be too many things for her to do? Trying to look ahead from school time, with its time-tables and schedules, makes it hard to remember, or to imagine, what summertime will be before summer arrives and the school year ends. In the summer when I was Julia’s age I heard Elvis Presley for the first time, down by the river on the jukebox in the fish-and-chip joint where teenagers went to hold hands and drink ice cream sodas and eat salted french fries drenched in vinegar.

Toward the end of her life I drew close to Althea, the cat who had been with Mary and me for five or maybe six years, ever since her real owner, Mary’s daughter Karen, had to find a home for her when a landlord invoked the no-pets rule, and Mary and I were living mere blocks away, completely petless and, some might say, carefree.

I am down in the cabin and Ross, who is eighty feet up in the fire tower, sees smoke. He tries to report it but his radio isn’t working and nobody can understand him. They phone him back on the cell: does he need the water bombers? He says no, it’s just a spot fire. In that moment a huge gust of wind blasts through the cabin, blows a towel off a rack, slaps it against the valve of the water cooler and turns on the water.

My mother stands at the top of the stairs, thin as a skeleton and reeking of booze. “Are you drunk?” I ask. “No,” she says. “Have you had anything to drink today?” “No,” she says. Lies, all lies. There are always more.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

‍

I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

‍

New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

‍

I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

Mastery of the self

"If you are still alive, you must have had the experience of surrendering."

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

The seven stories told in Natasha and Other Stories by David Bezmozgis (HarperFlamingo Canada) merit much of the hullabaloo that the book has received in the international press: simple sentences, rigorous verbs and dialogue that makes you feel like

Richard Gwyn tries to get away with two puns in the title of his book Nationalism Without Walls: The Unbearable Lightness of Being Canadian (McClelland & Stewart), trading off on both André Malraux's cultural manifesto of the 1960s Museum Without Wal

As Kerouac later described it, the letter was “a work of literary genius. Neal, he was just telling me what happened one time in Denver, and he had every detail. It was just like Dostoevsky. And I realized that’s the way to tell a story—just tell it!

Gregory Scofield's new book of poems is Native Canadiana (Polestar) and it's very good. So is Lola Lemire Tostevin's latest collection, Cartouches (Talonbooks), which came out last year and which we've been meaning to mention here ever since, along w

Adolf Hitler is the second man examined in the film Neighbours: Freud and Hitler in Vienna by Manfred Becker, which played recently at the Pacific Cinémathèque in Vancouver. Both the narrator of the film and the psychologist who spoke after the scree

Patty Osborne reviews Never Going Back by Antonia Banyard (Thistledown).

Alice, the protagonist of Nelcott Is My Darling by Golda Fried (Coach House), has left a sheltered life in Toronto to attend McGill University, where she joins the film society and makes friends who are dangerous and cool—all while trying to hold on

Newfoundland will be five hundred years old in 1997 (a hell of an age for any part of North America), and Breakwater Books of St. John's is marking the event with the Newfoundland Poetry Series, a collection of handsome slim volumes, of which they pl

In his novel Never Let Me Go (Vintage Canada), Kazuo Ishiguro creates an alternate world in which clones are produced, raised in residential school and taught math, history, art and social skills. As they accumulate knowledge, it dawns on these child

The indomitably named Smoking Lung launched five more small books into the world in October 1998, at an extravaganza held at the Western Front in Vancouver. Smoking Lung has become proficient in the art of launching chapbooks and getting them distrib

Alberto Manguel's News from a Foreign Country Came (Random House) has been sufficiently praised by the reviewers; now that it's out in paperback the rest of us can add our praises to theirs. This is, quite simply, a great book with a big theme.

Becky McEachern reviews Nikolski by Nicolas Dicker (Vintage).

In November while on a trip to Toronto, I went to see the play No Great Mischief, based on the novel by Alistair MacLeod. It was a foot-stompin’ good time (only in very small measure due to the No Great Mischief Special—Glen Breton single malt at $7.

In Night of the Prom (Thirteenth Tiger Press), four authors offer original takes on the prom tradition in poetry and prose.

Blood flows vigorously in Cormac McCarthy’s new novel No Country for Old Men (Knopf), in which a grim and emotionless gunman methodically sets out to trace and recover the spoils of a drug deal gone wrong in the badlands just north of the Mexican bor

Because I am a fairly new fan of Martin Amis's novels, I picked up slim Night Train (Knopf Canada) with much interest. Amis is well known for novelistic experimentation (his Time's Arrow is written in reverse time), and he doesn't disappoint here.

When a group of people who have been silent begin to speak up, one of the first literary forms to emerge is the memoir. So it is with the twenty-two women whose stories are gathered in Nobodys Mother: Life Without Kids, edited by Lynne Van Luven (Her

Novels in Three Lines is an addictive collection of brief items—“true stories of murder, mayhem, and everyday life”—that were first published anonymously in 1906 in the French newspaper Le Matin; I dare you to eat just one.

Oblique Litanies by Paul Davies (ECW Press) is a collection of short personal essays—the author calls them "conversations," but "monologues" would be more accurate: they are really half-conversations, the other halves of which are understood to belon

Erin Mouré’s book of poems, O Cadoiro (Anansi), is seductive in its physical beauty (kudos to the designer) and in the great romance of the verse, which reminded me of the infamously passionate Letters of a Portuguese Nun, a collection of letters tha

The pictures in Nuvisavik: The Place Where We Weave, edited by Maria Von Finckenstein (McGill-Queens) are of tapestries that tell the story of traditional Inuit life. The tapestries were woven by members of a weaving studio in Pangnirtung, Baffin Isl

Observatory Mansions by Edward Carey (Crown) sports a beautiful dust jacket that can be read over and over again, and the chapter starts are accompanied by wonderful illustrations by the author. The lives of the denizens of Observatory Mansions are s

For the folks out there who are indifferent to what’s going on in Iraq and Afghanistan, this book seems to whisper, “Stop eating your grilled Gruyère cheese with Roma tomatoes and red onion on open-face sourdough long enough to read me, if you please

The Old Farmer's Almanac (Yankee Publishing Inc.) does not believe in chaos theory. "We believe," state its editors in the 1994 edition which arrived in the mail recently, "nothing in the universe occurs haphazardly." Which explains how the Almanac c

Military coups, civil wars, and NAFTA are the cause of trilingual labels in Canadian big box stores.

A writer whose work is among the most important contributions to the literature of the Holocaust is forgotten by almost all.

During the 1950s the RCMP used a machine to identify federal employees who were homosexuals. The name of this bogus device? The "fruit machine," of course.

Richard Stursberg’s memoir of his years in CBC programming raises the question: How did someone with no sympathy for public broadcasting get the job in the first place?

Stephen Henighan argues that efficiency has become a core value that heightens social divisions.

In the world between here and there, what place does one call home?

Stephen Henighan remembers Mavis Gallant, the original nomad of Canadian literature, who wrote some of Canada's finest fiction at Pablo Picasso's café table in Paris.

Stephen Henighan investigates bus travel as one of Canada's last surviving democratic spaces.

Daniel Francis investigates the practice of visiting asylums and penitentiaries as entertainment in nineteenth-century Canada.

How much does a photograph really capture the essence of a person?

Daniel Francis explores the photographer as Vancouver's most interesting historian.

Alberto Manguel reflects on art as a witness to the human desire to be infinite and eternal.

As Canadian leaders look to emulate Asian nations, our government fails to see that the tigers' fatal flaw is the absence of democracy. Or, maybe they do see.

The Great White North gets rebranded and gains some military muscle: goodbye peacenik, hello soldier.

I’ve now read Comment parler des livres que l’on n’a pas lus? and I’m happy to say that I was right.

A French writer whose name I hadn’t heard before, Pierre Bayard, has written a book called Comment parler des livres que l’on n’a pas lus? published by Éditions de Minuit in a collection aptly titled Paradoxe. A number of critics in France have writt

In 2002, when my essay collection When Words Deny the World was published, people started behaving strangely. Ambitious young writers scurried out of sight when I entered a room, as though afraid that irate authors might banish them from Toronto for having spoken to me.

One of the indispensable figures of contemporary journalism is the cutting-edge cultural commentator. The columnist who offers sardonic insights into trends, fashions, television shows and publishing personalities has become an institution.

Since the Wall came down, East German socialists in Prenzlauer Berg are free to sip coffee and talk about art.

When the crash came, Canadians paid the price for the colonized mentalities of their investment advisors.

I met Alejandra Pizarnik in Buenos Aires, in 1967, five years before her death. I had asked her to contribute to an anthology of texts that purported to continue an interrupted story begun in Shakespeare’s The Winter’s Tale: “There was a man dwelt by a churchyard.” She agreed and wrote a haunting piece called “Los muertos y la lluvia,” “The dead and the rain.” The book was never published, but we became friends.

From the trench coat to the Hummer, what does the militarization of style say about us?

In 2007, when The Penguin Book of Canadian Short Stories was published, Urquhart sent me a copy. As I examined the table of contents, I felt a dull thunk in my chest.

When General James Wolfescampered up the steep path that carried him onto the Plains of Abraham andinto the pages of the history books, what was he thinking?