To reach a higher level, one must be both talented and brave, much like Tam Irving, one of Canada’s leading ceramic artists, whose life with clay is examined in Transitions of a Still Life: Ceramic Work by Tam Irving, by Carol E. Mayer (Anvil Press).
Lewis Hyde’s Trickster Makes This World: Mischief, Myth and Art (North Point Press) is a wonderful book of old stories about Hermes in Greece, Raven and Coyote in North America, Krishna in India and Eshu in West Africa, and new stories about Picasso,
Thinking Out Loud: On the Personal, the Political, the Public and the Private (Random House) is a collection of Anna Quindlen's syndicated newspaper columns. By definition the book shouldn't work: journalism, especially this kind, is necessarily ephe
Thinking and Singing: Poetry and the Practice of Philosophy is Lilburn’s most recent project, a collaboration with Jan Zwicky, Don McKay, Dennis Lee and Robert Bringhurst. Together they think and sing about eros, dreaming, naming, rhythm and ruminati
To reach a higher level, one must be both talented and brave, much like Tam Irving, one of Canada’s leading ceramic artists, whose life with clay is examined in Transitions of a Still Life: Ceramic Work by Tam Irving, by Carol E. Mayer (Anvil Press).
I met Alejandra Pizarnik in Buenos Aires, in 1967, five years before her death. I had asked her to contribute to an anthology of texts that purported to continue an interrupted story begun in Shakespeare’s The Winter’s Tale: “There was a man dwelt by a churchyard.” She agreed and wrote a haunting piece called “Los muertos y la lluvia,” “The dead and the rain.” The book was never published, but we became friends.