The facts (and fictions) surrounding the tale of Quebec's most famous murderess, La Corriveau.

Joe Bongiorno goes in search of enlightenment and finds the Shī Fu.

My great-grandfather exists now only in memory, unacknowledged even by his tombstone

He said he just wanted towels. There was no reason to be afraid.

It is a Sunday in August. We drive from London, Ontario, to the Pinery Provincial Park in a new green 1964 Mercury Comet.

A poem about a postal code.

On Halloween in 1966, John Patterson's father burned down the Jones's house to give the neighbourhood kids a thrill.

We got paid once a week in cash - it made you feel special the first few times.

Very quietly, very slowly, happiness can take over a person's life

Leaving Thunder Bay isn't one of the things that gets easier with practice

Forgotten cutlery, missing mushrooms and lingering doubt: a recipe for bewilderment.

"A folder full of awards proves to the psychiatrist I wasn't always this way."

Battenbergs and Victoria sponge at Buckingham Palace.

A young Indigenous woman deals with hippy-artist-pothead boyfriends and car troubles.

Randy Fred reports on migrant workers, then and now.

The restaurant had white concrete walls and chrome lights dangling from the ceiling that gave the place an operating theatre vibe.

Christine Novosel reports from Glasgow on art school, apiary management, Brexit and being a junkyard dog.

Evelyn Everett-Green wrote novels for young people, of a morally improving nature. Her books were also meant to entertain, with tales of wholesome adventure and romance, often set in heroic times or picturesque locations.

Despite attempts to reattach my pinkie, I woke up with nine fingers.

A short film featuring "Sewing Cabinet" by Julie Vandervoort, originally published in Geist 74.

David Koulack spends Yom Kippur in a packed gymnasium in Paris among a beehive of activity and a cacophony of sound.

Eve Corbel draws emoji you can use when Mercury is in retrograde, when you've eaten too much hot sauce and during other specific times of need.

Angela Wheelock meets a stranger at a bus stop and discusses Rumi, Hafiz and other great poets who were terrible leaders.

Picture Harper lounging among pastel cushions, his stiff grey hair tight as a helmet on his head.

On Dorothy Parker Day we wear wool suits and little hats, smoke with cigarette holders and have a liver-coloured dachshund on a lead.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

Mastery of the self

"If you are still alive, you must have had the experience of surrendering."

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

A passionate and (nearly) complete compendium from an emotionally invested fanatic.

Shades: The Whole Story of Doctor Tin (Arsenal Pulp) is the sequel to Tom Walmsley's cult masterpiece, Doctor Tin, which appeared in 1979 to rave reviews and stern warnings. Walmsley was quoted in the press at that time as having said "everything he

In search of a more satisfying biography, I pulled out a book I received a few Christmases ago—Rosemary Sullivan's Shadow Maker: The Life of Gwendolyn MacEwen. Sullivan's book made me weep during two separate readings.

Mercenaries and muscle for hire are the subjects of Shadow Company, a cinematic investigation into the privatization of the use of force. The film was born when a university buddy of the director, Nick Bicanic, took a job as a private military contra

Last summer I hiked up to a fire lookout in Alberta to visit a friend who lives there for part of each year, and tucked in my sturdy pack was Roo Borson’s Short Journey Upriver Toward Oishida (McClelland & Stewart), which I was taking to my friend as

Mark Leiren-Young's Shylock (Anvil) is similar to The Noam Chomsky Lectures. In this one-man drama, Jon Davies, a Jewish actor who portrays Shylock in a cancelled production of The Merchant of Venice, is accused of betraying his fellow Jews and being

Shooting Water by Devyani Saltzman, daughter of the filmmaker Deepa Mehta (Key Porter), is a story about politics, love and the making of Mehta’s film Water. Saltzman’s parents divorced when she was eleven, and she chose to live with her father, a de

Marina Roy is the author of Sign After the X (Advance/Artspeak), an entertaining and pretentious volume devoted to the twenty-fourth letter of the alphabet.

A new collection of essays from John McPhee, staff writer at the New Yorker.

Joyce Nelson's new book, Sign Crimes/Road Kill (Between the Lines), is her long-awaited collection of thirty essays written over the last ten years. This is an important and eminently useful book: mediascape, mindscape, landscape: Nelson keeps her ey

Must the deconstructionists have every last word?—not any more: Signs of the Times by David Lehman (Poseidon) is out in paperback and worth even penny. Here at last, a work that makes sense of the gobbledygook (by identifying it as gobbledygook), the

If you haven't read a book with a horse sex scene before, Theresa Kishkan's Sisters of Grass (Goose Lane) is one place to start. The story reconstructs the life of Margaret Stuart, a young woman living in the Nicola Valley of B.C. at the turn of the

Cathleen With’s book of short stories, Skids (Arsenal Pulp Press), takes a closer look at the human beings who inhabit this community and other communities like it.

Slow Dance (Knopf) by Bonnie Sherr Klein also kept me from sleeping, mostly because I couldn’t put it down. When I saw Klein’s photo on the cover I realized I’d seen her around at literary events and I was interested in this tall, self-confident woma

"A mild, or homeopathic, dose of the infinite is the crucial element in the aesthetic experience known as the sublime." A review of The Shell of the Tortoise.

Two books full of ice and snow: Icefields (NeWest) by Thomas Wharton, and Smilla's Sense of Snow (Doubleday) by Peter Hoeg. Peter Hoeg's sense of snow is utterly convincing: his book had me shivering in August (I actually took to reading it under the

In Smashed: Story of a Drunken Girlhood (Penguin), Koren Zailckas recounts her history of alcohol abuse and the years she lost. She took her first drink at age fourteen and she soon craved liquor and needed it for any kind of social interaction.

The Winner of the 23rd International 3-Day Novel Writing Contest (a venerable institution) is Small Apartments (Anvil Press), written and pleasantly illustrated by Chris Millis, who lives in Saratoga Springs, New York, and has worked as a “sportswrit

In Slow Lightning by Mark Frutkin (Raincoast) we meet Sandro Cénovas, a student who is caught in the middle when civil war erupts in Spain. Threatened with arrest or conscription, Sandro flees Barcelona on a borrowed bicycle and heads for the coastal

The ending of J. M. Coetzee’s Slow Man (Secker & Warburg) is disappointing only because the rest of the novel is so good. The main character, Paul Rayment, suffers a crippling bike accident, becomes infatuated with his care nurse and declares his lov

Snow Man, the masterful new novel by David Albahari (Douglas & McIntyre), belongs precisely to such a narrative of the world; and its provenance is evident from the first sentence, which takes us up in a moment and sweeps us into the history of langu

The Canadian version of Waiting for Godot takes place on Christmas Eve in a tavern somewhere in north Ontario, in a movie called Solitaire. In this one the two guys are played by the barkeep and the patrons, who indulge themselves in not enough drink

I like fiction when it gives me new ideas and I have to put the book down and pick up a dictionary or run something through Google—or when details I had never noticed before suddenly seem obvious. Sointula by Bill Gaston (Raincoast Books) is about a

In Soucouyant by David Chariandy (Arsenal Pulp Press), a young man whose mother suffers from early-onset dementia pieces together what really happened back home in the Caribbean when she encountered a soucouyant, or evil spirit.

Military coups, civil wars, and NAFTA are the cause of trilingual labels in Canadian big box stores.

A writer whose work is among the most important contributions to the literature of the Holocaust is forgotten by almost all.

During the 1950s the RCMP used a machine to identify federal employees who were homosexuals. The name of this bogus device? The "fruit machine," of course.

Richard Stursberg’s memoir of his years in CBC programming raises the question: How did someone with no sympathy for public broadcasting get the job in the first place?

Stephen Henighan argues that efficiency has become a core value that heightens social divisions.

In the world between here and there, what place does one call home?

Stephen Henighan remembers Mavis Gallant, the original nomad of Canadian literature, who wrote some of Canada's finest fiction at Pablo Picasso's café table in Paris.

Stephen Henighan investigates bus travel as one of Canada's last surviving democratic spaces.

Daniel Francis investigates the practice of visiting asylums and penitentiaries as entertainment in nineteenth-century Canada.

How much does a photograph really capture the essence of a person?

Daniel Francis explores the photographer as Vancouver's most interesting historian.

Alberto Manguel reflects on art as a witness to the human desire to be infinite and eternal.

As Canadian leaders look to emulate Asian nations, our government fails to see that the tigers' fatal flaw is the absence of democracy. Or, maybe they do see.

The Great White North gets rebranded and gains some military muscle: goodbye peacenik, hello soldier.

I’ve now read Comment parler des livres que l’on n’a pas lus? and I’m happy to say that I was right.

A French writer whose name I hadn’t heard before, Pierre Bayard, has written a book called Comment parler des livres que l’on n’a pas lus? published by Éditions de Minuit in a collection aptly titled Paradoxe. A number of critics in France have writt

In 2002, when my essay collection When Words Deny the World was published, people started behaving strangely. Ambitious young writers scurried out of sight when I entered a room, as though afraid that irate authors might banish them from Toronto for having spoken to me.

One of the indispensable figures of contemporary journalism is the cutting-edge cultural commentator. The columnist who offers sardonic insights into trends, fashions, television shows and publishing personalities has become an institution.

Since the Wall came down, East German socialists in Prenzlauer Berg are free to sip coffee and talk about art.

When the crash came, Canadians paid the price for the colonized mentalities of their investment advisors.

I met Alejandra Pizarnik in Buenos Aires, in 1967, five years before her death. I had asked her to contribute to an anthology of texts that purported to continue an interrupted story begun in Shakespeare’s The Winter’s Tale: “There was a man dwelt by a churchyard.” She agreed and wrote a haunting piece called “Los muertos y la lluvia,” “The dead and the rain.” The book was never published, but we became friends.

From the trench coat to the Hummer, what does the militarization of style say about us?

In 2007, when The Penguin Book of Canadian Short Stories was published, Urquhart sent me a copy. As I examined the table of contents, I felt a dull thunk in my chest.

When General James Wolfescampered up the steep path that carried him onto the Plains of Abraham andinto the pages of the history books, what was he thinking?