This invertebrate does not go looking for prey

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For the sake of the large romantic gesture

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Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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No Skylab buzz in East Germany.

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Nature’s sanctity is the only portal to the future.

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Playing against the fastest chess player in the world.

"You have bruises / There was time / You spent trying to / Heal them. / As in, time wasted."

That’s one for the rice bag!

The maple leaf no longer feels like a symbol of national pride.

"my point that / i is but a : colon grown / too long"

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

If marriage was a television show, it might look something like this.

Scrape every last bit of English out of your throat.

Who puts those little stickers on the apples in the grocery store?

Remembering Norbert Ruebsaat.

Destroying books for the greater good.

Losers: you have a lifetime to hunt.

"I never went looking for them."

Tell me again how long the trip is?

Fill the room with a flock of moths.

Any resemblances to persons living or dead are purely vindictive.

The secret is in the velvet.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

Mastery of the self

"If you are still alive, you must have had the experience of surrendering."

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

Michael Hayward reviews a new compendium of The Chicagoan, the “Lost Magazine of the Jazz Age.”

Michael Hayward reviews Cascadia: The Life and Breath of the World, co-edited by Trevor Carolan and Frank Stewart.

Stephen Osborne rejects the "whiny questions of national identity" posed during the "golden age" of Canadian literature in the 1960s and 70s.

Stephen Osborne discusses the notion that Canadian literature is “shackled to a corpse dragging us down into the future.”

Thad McIlroy reviews Poems That Make Grown Men Cry: 100 Men on the Words That Move Them.

Becky McEachern reviews Michele Genest’s The Boreal Gourmet: Adventures in Northern Cooking, featuring a blend of the author's culinarily enlightened upbringing and indigenous northern Canadian ingredients.

Patty Osborne reviews The Underwood by P.G. Tarr, winner of a 3-Day Novel Contest.

Michael Hayward reviews Selfish, Shallow, and Self-Absorbed: Sixteen Writers on the Decision Not to Have Kids, a collection of essays with a title that speaks for itself.

Patty Osborne reviews Devil in Deerskins: My Life with Grey Owl, a memoir by Anahareo, and Kuessipan by Naomi Fontaine, two contrasting reflections on the aboriginal experience.

Michael Hayward reviews Notes on the Cinematographer, a cryptic compendium of notes and quotes from the French filmmaker Robert Bresson.

Daniel Francis reviews All Else Is Folly, a "useful antidote" to the patriotic narrative that hails World War I as Canada's "coming of age."

Eve Corbel reviews Lumberjanes, a "smart, cute-in-a-good-way" comic series that follows the supernatural hijinks of five girls at an extraordinary summer camp.

The dreadful effects of “computer-assisted publishing” can be observed in the new Canadian ten-dollar bill, a specimen of which I had been carrying around for days wondering where I could have picked up such a miserable-looking coupon.

Jill Boettger reviews Double Lives: Writing and Motherhood, a collection of 22 essays by women who are both mothers and writers.

andrea bennett suggests that Road Rocks Ontario, a poorly proofread guide to our middle province’s geologic wonders, has a five-star rating on Goodreads because "people who like rocks like them a whole lot."

Derek Fairbridge reviews a documentary on the Canadian rock band Rush.

Patty Osborne reviews Saint Ralph, the uplifting but untrue story of a boy who sets out to win the 1954 Boston Marathon.

Two grey whales and a poet/axe murderer play key roles in Brad Cran's poetry collection.

A review of the Vanguard of the New Age, Gillian McCann's book about the Theosophical Society, which mixes western spiritualism and eastern mysticism.

Patty Osborne reviews Journeywoman: Swinging a Hammer in a Man’s World by Kate Braid.

"You must change your life." According to James Pollock, a new wave of Canadian poetry has emerged.

A review of Happy-Go-Lucky: Silver Islet Shenanigans, a creative non-fiction book by Bill MacDonald.

A review of Chris Ware's unconventionally packaged book Building Stories, about the residents of an apartment building.

A review of a book of variations by bpNichol.

Memories lie because they build on memories. I think that I remember something, but in fact I remember remembering it, and so on through countless layers of memory. Every memory is a mise en abyme.

Begging the question of what can be defined as “form.”

The crowds learned that they could not act effectively in the present without confronting the past, specifically the historical treatment of indigenous people.

On the screen, only the image—not the word—can become the world.

It all started with a zesty little book about getting old.

Donald Creighton was a bigot and a curmudgeon, a cranky Tory with a chip on his shoulder. He was also the country’s leading historian, who changed the way that Canadians told their own story.

The novelist can often better define reality than the historian.

"We know that life-altering and possibly cataclysmic change is coming, and we continue to live as we have always done."

"Since the beginning of time (the telling of which is also a story), we have known that words are dangerous creatures."

Lacking in drama and embarrassingly undemocratic, Canada’s origins owe a lot to old-fashioned politics and not much to European battles or transcontinental railways.

"Authenticity is the essential quality of all travel literature, imaginary or real."

Alberto Manguel examines the rich symbology of the fist, a primal symbol of rebellion and grief, across cultures and history.

"Cross-country skiing offered me the reassurance sought by the immigrant who is excluded from his locality’s history: a viable alternate route to belonging."

Stephen Henighan asks: what if you don't have a tidy answer to "Where are you from?"

Aboriginal people are creating a new version of Canada, and non-Aboriginals can lend a hand or get out of the way—Daniel Francis on the new Canadian narrative.

Daniel Francis discusses Canada's failing mental health care system and its long history of mistreatment.

The writer who is loved by all, by definition, neglects literature’s prime responsibility: to offend.

"Resistance to wars is as much a Canadian tradition as fighting them." Daniel Francis discusses alternative histories, anti-draft demonstrations and the divisive nature of war.

"Sometimes, in politics or history, certain words, certain names are sufficient unto themselves: it is as if there were names that once pronounced require no further telling."

European Jewish artisans on horseback in Argentina.

"In the public eye, universities have never recovered from the antics of Donald Sutherland as Professor Jennings in the 1978 film Animal House."

Daniel Francis asks why a high-speed commuter route runs through Stanley Park, Vancouver's precious urban oasis.

"A library is never finished, only abandoned." Alberto Manguel on incompletion, voluntary interruption and the pleasure of the day before.

The assumption of mutual comprehensibility between speakers of Spanish and Portuguese creates a culture of mutual ignorance.