She would see him sometimes around Yaletown, her former counsellor, heading glassy-eyed toward a bar or creeping up the back steps of the massage parlour.

The time had come for our marathon trek through Europe. I was ten, and hated it already.

A greying, sunburnt American mis­sionary stopped us in the fruit market and invited us for a drink.

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With the approach of her tenth summer, Julia considers the holidays that lie before her: will there be too many things for her to do? Trying to look ahead from school time, with its time-tables and schedules, makes it hard to remember, or to imagine, what summertime will be before summer arrives and the school year ends. In the summer when I was Julia’s age I heard Elvis Presley for the first time, down by the river on the jukebox in the fish-and-chip joint where teenagers went to hold hands and drink ice cream sodas and eat salted french fries drenched in vinegar.

Toward the end of her life I drew close to Althea, the cat who had been with Mary and me for five or maybe six years, ever since her real owner, Mary’s daughter Karen, had to find a home for her when a landlord invoked the no-pets rule, and Mary and I were living mere blocks away, completely petless and, some might say, carefree.

I am down in the cabin and Ross, who is eighty feet up in the fire tower, sees smoke. He tries to report it but his radio isn’t working and nobody can understand him. They phone him back on the cell: does he need the water bombers? He says no, it’s just a spot fire. In that moment a huge gust of wind blasts through the cabin, blows a towel off a rack, slaps it against the valve of the water cooler and turns on the water.

My mother stands at the top of the stairs, thin as a skeleton and reeking of booze. “Are you drunk?” I ask. “No,” she says. “Have you had anything to drink today?” “No,” she says. Lies, all lies. There are always more.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

Mastery of the self

"If you are still alive, you must have had the experience of surrendering."

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

"If cities can be said to be alive, how many of them dream of growing up to become Paris?" Michael Hayward reviews How Paris Became Paris by Joan DeJean.

Kris Rothstein recounts her experience at the Pickathon, a music festival in Portland, Oregon.

Patty Osborne reviews Do You Think This Is Strange? by Aaron Cully Drake, a look into the mind of an autistic teenage boy.

Daniel Francis reviews Toronto: Biography of a City, a book bound to irritate readers who live outside Toronto—the "centre of the Canadian universe."

AnnMarie MacKinnon reviews Einsteinium (Es), an element discovered by a non-Einstein Albert.

"In Martin John, Anakana Schofield’s new novel, the reader is beckoned, saluted, enticed and then drawn inexorably into the life of a demented young man."

Eve Corbel reviews two short biographic documentaries: Seth's Dominion and I Thought I Told You to Shut Up.

Beyond: The Queer Sci-Fi and Fantasy Comics Anthology is an action-packed, swashbuckling collection of short comics produced by twenty six writers and artists of diverse sexualities and genders.

Stephen Osborne discusses the happiness level of Vancouver, the best place on earth.

AnnMarie MacKinnon reviews Death and the Penguin, a novel that follows the life of a young Ukrainian writer and his penguin.

Stephen Osborne talks about Bearded Ladies, a documentary about the works of renowned photographer Rosamond Norbury.

Jill Mandrake reviews Local Customs by Audrey Thomas, a ghost story and murder mystery set in West Africa.

Michael Hayward reviews Moomin: The Deluxe Anniversary Edition by Tove Jansson, a collection of comic strips that contain "the poetry of our world: sad, joyful, dangerous, enchanting."

Roni Simunovic reviews Queer and Trans Artists of Color: Stories of Some of Our Lives by Nia King, a collection of interviews about gender and sexuality, and how to make art, make rent and survive.

Stephen Osborne finds a copy of Francoise Sagan's Those Without Shadows at the bus stop, complete with margin notes that create a new sort of text.

Patty Osborne reviews The Perimeter Dog by Julie Vandervoort.

Michal Kozlowski reviews Stardust, Bruce Serafin's essay collection: "punchy narrative, little exposition, unburdened by political correctness."

Stephen Osborne reviews The Bourgeois: Between History and Literature by Franco Moretti.

"When your narrator has Alzheimer’s Disease, neither you nor she can be sure of the facts, which is what makes this such an intriguing story."

"We don’t often get clear and honest reflections out of hundred-year-old men, which is why Frank White’s new book is such a great read."

Michael Hayward reviews the honest, outrageous and at times unflattering biographies of Lucian Freud and Rockwell Kent.

Mandelbrot reviews The Secret Parts of Fortune: Three Decades of Intense Investigations and Edgy Enthusiasms by Bruce Dern.

Kelsea O'Connor reviews Kitten Clone by Douglas Coupland, a "humanizing portrait" of Alcatel-Lucent, the company that developed the internet we know and love today.

Dylan Gyles embarks on a quest to read all of literature's most difficult tomes, starting with Gravity's Rainbow by Thomas Pynchon.

Memories lie because they build on memories. I think that I remember something, but in fact I remember remembering it, and so on through countless layers of memory. Every memory is a mise en abyme.

Begging the question of what can be defined as “form.”

The crowds learned that they could not act effectively in the present without confronting the past, specifically the historical treatment of indigenous people.

On the screen, only the image—not the word—can become the world.

It all started with a zesty little book about getting old.

Donald Creighton was a bigot and a curmudgeon, a cranky Tory with a chip on his shoulder. He was also the country’s leading historian, who changed the way that Canadians told their own story.

The novelist can often better define reality than the historian.

"We know that life-altering and possibly cataclysmic change is coming, and we continue to live as we have always done."

"Since the beginning of time (the telling of which is also a story), we have known that words are dangerous creatures."

Lacking in drama and embarrassingly undemocratic, Canada’s origins owe a lot to old-fashioned politics and not much to European battles or transcontinental railways.

"Authenticity is the essential quality of all travel literature, imaginary or real."

Alberto Manguel examines the rich symbology of the fist, a primal symbol of rebellion and grief, across cultures and history.

"Cross-country skiing offered me the reassurance sought by the immigrant who is excluded from his locality’s history: a viable alternate route to belonging."

Stephen Henighan asks: what if you don't have a tidy answer to "Where are you from?"

Aboriginal people are creating a new version of Canada, and non-Aboriginals can lend a hand or get out of the way—Daniel Francis on the new Canadian narrative.

Daniel Francis discusses Canada's failing mental health care system and its long history of mistreatment.

The writer who is loved by all, by definition, neglects literature’s prime responsibility: to offend.

"Resistance to wars is as much a Canadian tradition as fighting them." Daniel Francis discusses alternative histories, anti-draft demonstrations and the divisive nature of war.

"Sometimes, in politics or history, certain words, certain names are sufficient unto themselves: it is as if there were names that once pronounced require no further telling."

European Jewish artisans on horseback in Argentina.

"In the public eye, universities have never recovered from the antics of Donald Sutherland as Professor Jennings in the 1978 film Animal House."

Daniel Francis asks why a high-speed commuter route runs through Stanley Park, Vancouver's precious urban oasis.

"A library is never finished, only abandoned." Alberto Manguel on incompletion, voluntary interruption and the pleasure of the day before.

The assumption of mutual comprehensibility between speakers of Spanish and Portuguese creates a culture of mutual ignorance.