Only now, eighty years after the war, are we given the explanation of that process of transformation, in the pages of Death So Noble: Memory, Meaning, and the First World War, by Jonathan F. Vance (UBC Press). Vance tells the story of a tiny country
For the uninitiated, the poetic mysteries of baseball can seem elusive if not downright silly. Diamonds Are Forever: Artists and Writers on Baseball (Chronicle), a print version of the Smithsonian Institution exhibition of the same name, doesn’t set
In 1945 Molly Lamb Bobak became Canada's first female war artist, but it took her three years of army life to win that appointment. During those years she kept a unique diary in the form of a handwritten newsletter, as she traveled back and forth acr
Ascending Peculiarity: Edward Gorey on Edward Gorey (Harcourt), selected and edited by Karen Wilkin, is a collection of twenty-six years’ worth of interviews of Gorey, the eccentric American artist and writer. He was best known for his intricate pen-
In 1995, New Star Books in Vancouver launched a series of short (about 100 pages), inexpensive books about nonmainstream subjects in the history and culture of British Columbia. The series is called Transmontanus (that’s “across the mountains” for th
People who live in the North speak of leaving as “going outside.” I recently returned to the North after a lengthy absence and found myself reading two books about the effects of the “outside,” and about the things that brought me here in the first p
Last summer, during a visit to Vancouver, my nine-year-old son climbed the pediment of a cast-iron traffic-light standard and put his palm on the glowing hand that warns pedestrians to stay put. My mother pointed out afterwards that my photograph of the event contained its own French caption, in the word visible over his shoulder: main.
I met Alejandra Pizarnik in Buenos Aires, in 1967, five years before her death. I had asked her to contribute to an anthology of texts that purported to continue an interrupted story begun in Shakespeare’s The Winter’s Tale: “There was a man dwelt by a churchyard.” She agreed and wrote a haunting piece called “Los muertos y la lluvia,” “The dead and the rain.” The book was never published, but we became friends.
The next performer, Coco, a six-year-old Belgian shepherd, stood on his back legs and hopped alongside a woman wearing white go-go boots who jiggled her hips in time to “ymca.” Coco weaved between her legs, rolled across her feet, lay on his back and kicked his legs in the air. The woman’s brow was furrowed and sweat ran down her face. Coco bounded in front of her, then backed through her legs and sneezed twice. The judges looked at each other and one of them wrote somethingdown.