Richard Gwyn tries to get away with two puns in the title of his book Nationalism Without Walls: The Unbearable Lightness of Being Canadian (McClelland & Stewart), trading off on both André Malraux's cultural manifesto of the 1960s Museum Without Wal
For the folks out there who are indifferent to what’s going on in Iraq and Afghanistan, this book seems to whisper, “Stop eating your grilled Gruyère cheese with Roma tomatoes and red onion on open-face sourdough long enough to read me, if you please
I met Alejandra Pizarnik in Buenos Aires, in 1967, five years before her death. I had asked her to contribute to an anthology of texts that purported to continue an interrupted story begun in Shakespeare’s The Winter’s Tale: “There was a man dwelt by a churchyard.” She agreed and wrote a haunting piece called “Los muertos y la lluvia,” “The dead and the rain.” The book was never published, but we became friends.
The comics artist and writer Seth dropped in to Sophia Books in Vancouver in early November to promote his new book, Wimbledon Green: The Greatest Comic Book Collector in the World (Drawn & Quarterly), a sumptuous clothbound volume on whose cover the
Wide as the Waters: The Story of the English Bible and the Revolution It Inspired, by Benson Bobrick, is an excellent account of “the most influential book ever published.” It begins by reminding us that the first question ever asked by an inquisitor
Richard Gwyn tries to get away with two puns in the title of his book Nationalism Without Walls: The Unbearable Lightness of Being Canadian (McClelland & Stewart), trading off on both André Malraux's cultural manifesto of the 1960s Museum Without Wal