I met Alejandra Pizarnik in Buenos Aires, in 1967, five years before her death. I had asked her to contribute to an anthology of texts that purported to continue an interrupted story begun in Shakespeare’s The Winter’s Tale: “There was a man dwelt by a churchyard.” She agreed and wrote a haunting piece called “Los muertos y la lluvia,” “The dead and the rain.” The book was never published, but we became friends.
To reach a higher level, one must be both talented and brave, much like Tam Irving, one of Canada’s leading ceramic artists, whose life with clay is examined in Transitions of a Still Life: Ceramic Work by Tam Irving, by Carol E. Mayer (Anvil Press).
Lewis Hyde’s Trickster Makes This World: Mischief, Myth and Art (North Point Press) is a wonderful book of old stories about Hermes in Greece, Raven and Coyote in North America, Krishna in India and Eshu in West Africa, and new stories about Picasso,