The fish is a suspended phantom, its magenta skeleton an exquisite, vibrant exhibit of what lies beneath

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A wildland fighter witnesses an old burn's second act

Memories sneak up, tiptoe quiet as a cat. Boom like a slapshot

The unmistakable buzz of an approaching aircraft is enough to send my family onto the lawn

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This invertebrate does not go looking for prey

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For the sake of the large romantic gesture

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Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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No Skylab buzz in East Germany.

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Nature’s sanctity is the only portal to the future.

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Playing against the fastest chess player in the world.

"You have bruises / There was time / You spent trying to / Heal them. / As in, time wasted."

That’s one for the rice bag!

The maple leaf no longer feels like a symbol of national pride.

"my point that / i is but a : colon grown / too long"

If marriage was a television show, it might look something like this.

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

Scrape every last bit of English out of your throat.

Who puts those little stickers on the apples in the grocery store?

Destroying books for the greater good.

Remembering Norbert Ruebsaat.

Losers: you have a lifetime to hunt.

"I never went looking for them."

When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.

A first-hand account of Greenpeace's first expedition to stop U.S. underwater nuclear testing on September 15, 1971.

Jill Mandrake discusses Kevin Shaw's poetry.

Mallory Ortberg's subversive dark fairy tales.

Patty Osborne shares insights on Peter Carey's book.

Michael Hayward on a selection of Notting Hill Editions' latest releases.

Kelsea O'Connor on "The Case of the Gilded Lily," a film by Shipwrecked Comedy.

Mandelbrot schleps a pen around for a week to feel it out.

Michael Hayward on "Autumn" by Karl Ove Knausgaard.

Jill Mandrake on "The Orwell Tapes" compiled by Stephen Wadhams.

Thad McIlroy on "The Weekend Man" by Richard B. Wright.

Jasmine Sealy on "You Can't Stay Here" by Jasmina Odor.

"My espresso machine was in the repair shop and I had begun to despair of ever seeing it again."

During World War II, Gunda Lambton and her two young children left England to live in Canada.

A review of Barnacle Love, a collection of short stories by Anthony De Sa.

Together the images in Bathers constitute a supreme study of ordinary bodies, and demonstrate in visceral ways just how unique is the ordinary body: no two alike, each an expression of itself.

"This Accident of Being Lost" by Leanne Betasamosake Simpson (House of Anansi) is a sharp collection of short stories and poetry that resists the colonialism of contemporary Canada.

"Drawing the Line: The How to Draw Book" is best suited for young artists who are interested in graphic novels or comic stories.

Stolen honeycombs, a fiancé training to be a missionary in Africa, a picnic marred by quicksand and fog, a fundraising party for pig pensions...

Helen Garner’s novel "The Spare Room" opens in Melbourne as the protagonist and narrator, a middle-aged woman also named Helen (hmm), prepares for the visit of Nicola, her dear friend.

Her story powers along; eventually she will arrive at the start, returning to the losses set down in the preface, losses so terrible we won’t mind if she chickens out.

Jack Kerouac, that prototypically “all-American” writer, was born to Québécois parents, and raised in the midst of an expatriate French-Canadian community in the mill town of Lowell, Massachusetts.

A middle-aged man moves to a new city to restart his life, gets to know an old man named Oliver, and after only a few months realizes that he has fallen in love with both the new city and the old man.

Fawzia Mirza on the white, Western concept of coming out: "We have to let go of thinking that there’s one right way to be. It’s about finding better words and language to talk about the gay experience."

Shakespeare and Company bookstore in Paris regularly makes it onto lists like The World’s Coolest Bookstores and The 20 Most Beautiful Bookstores in the World.

In 1997, when Internet connections were dial-up and most of us were just trying to figure out how the World Wide Web worked, a group of people had the foresight to see that the Internet could be a powerful tool for the anti-poverty movement.

Phrase books are tools of cultural globalization—but they are also among its casualties.

When building a nation, cultural riches can be lost.

Coming to harbour in a new world.

Science and the arts fulfil their functions to help us survive through the imagination.

Dividing and conquering local populations confines them to manageable administrative units.

In a world dominated by heroes, difference is not tolerated.

“Have patience” and “Tomorrow” are two inseparable locutions in the Portuguese tongue.

For a brief period the band CANO gave shape to the dream of a bilingual Canadian culture.

"The hemispheric context reveals the roots of the residential school system...Destroying Indigenous cultures was a positivist policy from Patagonia to Dawson City."

Lisa Bird-Wilson on UNDRIP, reconciliation, and the anxiety felt by Indigenous people in Canada.

What we do when we absorb words from a screen—and we haven’t yet evolved a verb for it—is not reading.

Libraries are not only essential in educating the soul, but in forming the identity of a society.

Our society is formed on the assumption of a healthy immune system.

The woman who called herself Tatiana Aarons gave me an address that led to a vacant lot.

Dogged dedication grants a reader vicarious immortality.

What we can—and can’t—learn from the plague

On March 5, 2006, a group of people gathered in a small Ontario city in the expectation of having books signed by an author who was not present.

The newspaper wars aren’t what they used to be.

A package-deal paradise reputation curtails gringo knowledge of Dominican life.

Faith seems to shiver when confronted by art.

What can the Brothers Grimm teach us about the state of our economic system? Everything.

Must artists declare their moral integrity?

Without air travel, family networks might have dissolved long ago.

There’s something not quite right about the grid on which the game is played.