This invertebrate does not go looking for prey

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For the sake of the large romantic gesture

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Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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No Skylab buzz in East Germany.

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Nature’s sanctity is the only portal to the future.

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Playing against the fastest chess player in the world.

"You have bruises / There was time / You spent trying to / Heal them. / As in, time wasted."

That’s one for the rice bag!

The maple leaf no longer feels like a symbol of national pride.

"my point that / i is but a : colon grown / too long"

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

If marriage was a television show, it might look something like this.

Scrape every last bit of English out of your throat.

Who puts those little stickers on the apples in the grocery store?

Remembering Norbert Ruebsaat.

Destroying books for the greater good.

Losers: you have a lifetime to hunt.

"I never went looking for them."

Tell me again how long the trip is?

Fill the room with a flock of moths.

Any resemblances to persons living or dead are purely vindictive.

The secret is in the velvet.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

Mastery of the self

"If you are still alive, you must have had the experience of surrendering."

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

Sarah Maitland visits Margaret Atwood's book signing at Vancouver's Word on the Street festival.

"So today in class we talk about Lucky Jim by Kingsley Amis, which I looked forward to because it’s a book with two interesting female characters, for a change." Review by Siobhan Devlin.

Michael Hayward reviews Mnemonic: a book of trees by Theresa Kishkan (Goose Lane).

Michael Hayward reviews Atlantic Books' series of 'Books That Shook the World' and Alberto Manguel's biography of Homer's the Iliad and the Odyssey.

The promise of exotic and sensuous experience has lured many a European man to go abroad, as Robert Aldrich demonstrates in Colonialism and Homosexuality (Routledge), reviewed by Kris Rothstein.

"A History of the Future, by David A. Wilson, is a great idea for a book: a history of what people in the past made of the future they would never know." Review by S.K. Page.

Shannon Emmerson reviews Gail Anderson-Dargatz's A Recipe for Bees, a story about the price of our choices and the reasons we make them.

Dan Post reviews A Sound Like Water Dripping by Soren Bondrup-Nielsen, the story of the author's attempts to be the first Ontarian to locate the elusive boreal owl.

"I am by no means a connoisseur of comics, and usually confine my reading to one or two titles. Now Action Girl Comics makes it three." Review by Mindy Abramowitz.

Michael Hayward reviews Across the Territories by Kenneth White, a book of White's worldwide travels.

Patty Osborne reviews Banana Rose by Natalie Goldberg.

Michael Hayward reviews Beat Generation by Jack Kerouac, a three-act play he wrote but never produced.

Todd Coyne reviews Black: The History of a Color by Michel Pastoureau, a book that "charts a European social history of the most symbolic and evocative colour on earth."

Daniel Zomparelli reviews Rocksalt: An Anthology of Contemporary B.C. Poetry edited by Mona Fertig and Harold Rhenisch (Mother Tongue).

Michal Kozlowski reviews Sarajevo Marlboro by Miljenko Jergovic, twenty-nine (very) short stories set in Sarajevo during the Bosnian war of the early 1990s.

Sarah Leavitt reviews Fun Home: A Family Tragicomic, Alison Bechdel's first graphic novel full of vibrantly alive, expressive characters and richly satisfying extras.

It takes Patty Osborne a month to get halfway through the 462 pages of the Giller Prize-winning novel The Polished Hoe, which is only halfway through the 24 hours during which the story takes place.

Karen Schendlinger reviews The Eyre Affair and Lost in a Good Book by Jasper Fforde, two smart, allegorical crime novels starring a detective named Thursday Next.

The Girl Without Anyone is a series of linked short stories by Kelli Deeth, dealing with a teenage girl's budding sexuality, self-doubt and confusion. Reviewed by Patty Osborne.

Two different novels about family dysfunction—This Is Where I Leave you and The Corrections—written by two different Jonathans. Reviewed by Jocelyn Kuang.

"Scallions are eaten raw by self-assertive people": Why S.K. Grant was surprised to discover The Joy of Cooking as a literary work.

Clare Coughlan reviews her experience seeing (and before that, waiting in line to see) The Love Crimes of Gillian Guess.

Michal Kozlowski reviews Andy Brown's debut novel The Mole Chronicles, which charts a sibling relationship involving moles, comic books, swimming pools, kidnapping, culture jamming and more.

Patty Osborne reviews Women of the World: Women Travelers and Explorers by Rebecca Stefoff, a book—complete with maps, drawings and photographs—that describes the travels of nine women.

Military coups, civil wars, and NAFTA are the cause of trilingual labels in Canadian big box stores.

A writer whose work is among the most important contributions to the literature of the Holocaust is forgotten by almost all.

During the 1950s the RCMP used a machine to identify federal employees who were homosexuals. The name of this bogus device? The "fruit machine," of course.

Richard Stursberg’s memoir of his years in CBC programming raises the question: How did someone with no sympathy for public broadcasting get the job in the first place?

Stephen Henighan argues that efficiency has become a core value that heightens social divisions.

In the world between here and there, what place does one call home?

Stephen Henighan remembers Mavis Gallant, the original nomad of Canadian literature, who wrote some of Canada's finest fiction at Pablo Picasso's café table in Paris.

Stephen Henighan investigates bus travel as one of Canada's last surviving democratic spaces.

Daniel Francis investigates the practice of visiting asylums and penitentiaries as entertainment in nineteenth-century Canada.

How much does a photograph really capture the essence of a person?

Daniel Francis explores the photographer as Vancouver's most interesting historian.

Alberto Manguel reflects on art as a witness to the human desire to be infinite and eternal.

As Canadian leaders look to emulate Asian nations, our government fails to see that the tigers' fatal flaw is the absence of democracy. Or, maybe they do see.

The Great White North gets rebranded and gains some military muscle: goodbye peacenik, hello soldier.

I’ve now read Comment parler des livres que l’on n’a pas lus? and I’m happy to say that I was right.

A French writer whose name I hadn’t heard before, Pierre Bayard, has written a book called Comment parler des livres que l’on n’a pas lus? published by Éditions de Minuit in a collection aptly titled Paradoxe. A number of critics in France have writt

In 2002, when my essay collection When Words Deny the World was published, people started behaving strangely. Ambitious young writers scurried out of sight when I entered a room, as though afraid that irate authors might banish them from Toronto for having spoken to me.

One of the indispensable figures of contemporary journalism is the cutting-edge cultural commentator. The columnist who offers sardonic insights into trends, fashions, television shows and publishing personalities has become an institution.

Since the Wall came down, East German socialists in Prenzlauer Berg are free to sip coffee and talk about art.

When the crash came, Canadians paid the price for the colonized mentalities of their investment advisors.

I met Alejandra Pizarnik in Buenos Aires, in 1967, five years before her death. I had asked her to contribute to an anthology of texts that purported to continue an interrupted story begun in Shakespeare’s The Winter’s Tale: “There was a man dwelt by a churchyard.” She agreed and wrote a haunting piece called “Los muertos y la lluvia,” “The dead and the rain.” The book was never published, but we became friends.

From the trench coat to the Hummer, what does the militarization of style say about us?

In 2007, when The Penguin Book of Canadian Short Stories was published, Urquhart sent me a copy. As I examined the table of contents, I felt a dull thunk in my chest.

When General James Wolfescampered up the steep path that carried him onto the Plains of Abraham andinto the pages of the history books, what was he thinking?