AUTHORS

RICHARD VAN CAMP

ABOUT

Mary Schendlinger is a writer, editor, retired teacher of publishing and, as Eve Corbel, a maker of comics. She was Senior Editor of Geist for twenty-five years. She lives in Vancouver.


RICHARD VAN CAMP
Columns
Grey Matters

It all started with a zesty little book about getting old.

RICHARD VAN CAMP
Columns
Buried Treasure

Mary Schendlinger challenges a review of a biography of Blanche Knopf, the underrecognized co-founder of Alfred A. Knopf Inc.

RICHARD VAN CAMP
Dispatches
In Memoriam: Edith Iglauer, 1917 - 2019

Respected journalist, Geist contributor and maker of olive sandwiches.

RICHARD VAN CAMP
Dispatches
World's Most Wanted

Who knew my dad's old pen was a famous Parker 51 Vacumatic?

RICHARD VAN CAMP
Reviews
Look Out, Not In

Mary Schendlinger on "How the Girl Guides Won the War" by Janie Hampton.

RICHARD VAN CAMP
Reviews
Free to Be

Her story powers along; eventually she will arrive at the start, returning to the losses set down in the preface, losses so terrible we won’t mind if she chickens out.

RICHARD VAN CAMP
Reviews
Friend in Need

Helen Garner’s novel "The Spare Room" opens in Melbourne as the protagonist and narrator, a middle-aged woman also named Helen (hmm), prepares for the visit of Nicola, her dear friend.

RICHARD VAN CAMP
Reviews
Home and Heart

Mary Schendlinger sees The Babushkas of Chernobyl, Inaate/se and A Good American at the DOXA Festival.

RICHARD VAN CAMP
Reviews
What They Say

Mary Schendlinger on Natalia Ginzburg's narrative of her family during the rise of Hitler and Mussolini.

RICHARD VAN CAMP
Reviews
Squirmworthy

Mary Schendlinger reviews SayWha?!, a monthly evening of “readings of deliciously rotten writing”.

RICHARD VAN CAMP
Reviews
Suffer the Children

Immigration questions 9 and 10: How do you like where you’re living now? Are you happy here?

RICHARD VAN CAMP
Reviews
The Age of Missing Information

If you read one book on the Information Age, make sure it's Bill McKibben's The Age of Missing Information (Penguin/Plume), which is a real page-turner of a long essay about What's Wrong with the Idea of Information. The device is neat: McKibben watc

RICHARD VAN CAMP
Reviews
Time-Tested

Mary Schendlinger reviews M Train by Patti Smith and My Life on the Road by Gloria Steinem.

RICHARD VAN CAMP
Reviews
News in a Nutshell

Mary Schendlinger on Vox.com's podcast Today Explained.

RICHARD VAN CAMP
Reviews
Nobody's Mother: Life Without Kids

When a group of people who have been silent begin to speak up, one of the first literary forms to emerge is the memoir. So it is with the twenty-two women whose stories are gathered in Nobodys Mother: Life Without Kids, edited by Lynne Van Luven (Her

RICHARD VAN CAMP
Reviews
Oxford Canadian Dictionary

Once a piece of writing has been accepted for publication, and the writer and the editor have worked out the size, shape and tone of the piece, how confidently does the Geist copy editor go in with her red pen and fine-tune it? Assuming that she cann

RICHARD VAN CAMP
Dispatches
Meanwhile, in 1666

Aboard a stuck SkyTrain, reading Samuel Pepys's account of the Great Fire of London.

RICHARD VAN CAMP
Reviews
Cool Yule

A review of a winter holiday show presented by The Vancouver Rainbow Concert Band, the first and only LGBTQ band in Canada.

RICHARD VAN CAMP
Reviews
Culturism

Mary Schendlinger reviews The Spirit Catches You and You Fall Down, the riveting tale of “a Hmong child, her American doctors and the collision of two cultures.”

RICHARD VAN CAMP
Reviews
A Complicated Kindness

Nomi Nickel, the heroine of A Complicated Kindness by Miriam Toews (Knopf), is a bad girl. How can she help it?

RICHARD VAN CAMP
Reviews
A Matter of DNA

Mary Schendlinger on Fay Weldon's 48th or 53rd book, After the Peace.

RICHARD VAN CAMP
Reviews
Rookie Yearbook One

The Senior Editor of Geist learns to "Wear Knee Socks with Everything" from an exceptional blog turned print book by Tavi Gevinson.

RICHARD VAN CAMP
Dispatches
Saeko Usukawa Remembered

Senior Editor Mary Schendlinger remembers her friend and Geist contributor Saeko Usukawa.

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