On the merry-go-round, you just shouted out a des­ti­na­tion and all the kids pushed until every­one agreed we’d arrived.

Review of "The Acid Room: The Psychedelic Trials and Tribulations of Hollywood Hospital" by Jesse Donaldson and Erika Dyck.

Review of "Crowded Mirror" by Sheila Delany.

Compassionate, good truck driver, likes kids, likes ice cream—the makings of a no-fail ice cream dude.

Jill Mandrake on the surprising effect of peanut brittle.

Review of "Some of the Puzzles" by M.A.C. Farrant.

"Like most people who have seen the stand-up comedy and other stage-work of Charles Demers, I sure couldn’t pass up a book of his personal essays."

A review of a book of variations by bpNichol.

Jill Mandrake on Mississippi Live & the Dirty Dirty, a Southern rock band in East Vancouver.

Jill Mandrake a new series called Christmas Ghost Stories (Biblioasis), selected and illustrated by Seth.

Review of "Let the World Have You" by Mikko Harvey.

Review of "The Old Man in the Mirror Isn’t Me" by Ray Robertson.

The question that pops to mind as you read Ghosts: True Tales of Eerie Encounters (TouchWood) is, “Why does British Columbia house so many spooks?” Robert Belyk does not provide a specific answer, but he does say that ghosts are likelier to manifest

Jill Mandrake reviews Local Customs by Audrey Thomas, a ghost story and murder mystery set in West Africa.

I, Shithead: A Life in Punk (Arsenal Pulp Press), Joey Keithley’s rock memoir, shows how an apparently destructive restlessness, amidst the musical malaise of the ’70s, can be turned into something for the greater good. “We’re not looking for a riot,

Jill Mandrake on City Poems by Joe Fiorito.

Jill Mandrake discusses Kevin Shaw's poetry.

The Man Who Killed Houdini by Don Bell (Véhicule Press) is the story of J. Gordon Whitehead, who, as the accepted story goes, was chatting with Houdini in Montreal, along with three McGill students, when he unexpectedly punched Houdini in the stomach

"Drawing the Line: The How to Draw Book" is best suited for young artists who are interested in graphic novels or comic stories.

Jill Mandrake on the beauty of crafted visual poetry.

Ronald Wright explores the modern history of our southern neighbour in What Is America? A Short History of the New World Order, reviewed by Jill Mandrake.

A passionate and (nearly) complete compendium from an emotionally invested fanatic.

Jill Mandrake reviews There Can Never Be Enough by David Arnason, a combination of dreamscape and tragicomic monologue.

Jill Mandrake is blown away by South of Elfrida by Holley Rubinsky, a journey into "the land of guilt and sorrow."

The UK literary journal, Flash, features concise forms of microfiction: short-short stories also known as "flashes".

For the folks out there who are indifferent to what’s going on in Iraq and Afghanistan, this book seems to whisper, “Stop eating your grilled Gruyère cheese with Roma tomatoes and red onion on open-face sourdough long enough to read me, if you please

The question you have to ask yourself when you finish reading One Ring Circus: Extreme Wrestling in the Minor Leagues, by Brian Howell is this:do I want to become a minor league wrestler? The answer is yes.

Jill Mandrake on "The Orwell Tapes" compiled by Stephen Wadhams.

The poet and artist P.K. Page wrote Mexican Journal (Porcupine’s Quill) from 1960 to 1963, while posted in Mexico with her husband, Ambassador W. Arthur Irwin.

"I hope you will agree that we more sensitive teenagers grew up surrounded by irony." Jill Mandrake calls George Bowering's memoir his most provocative work yet.

Jill Mandrake on living life on the edge—from Etobicoke to Iqaluit.

Jill Mandrake reviews George Bowering's Caprice, "a poetic eulogy for a shrinking literary landscape."

Jill Mandrake on lyrics that make her shout out loud.

When I heard that George Orwell’s Coming Up For Air was being adapted as a one-man stage show, I couldn’t wait to see it. It’s high time for a new interpretation of Orwell’s work.

A promo for this work described it as erotic, although a more accurate term might be sensual, or even celebratory. Some of the passages, like this one from “Condo,” remind me of certain lines from the later essays of D.H. Lawrence, for they detail th

Jill Mandrake reviews Joe Ollmann's graphic novel about a high school biology teacher who suddenly remembers being abducted by aliens.

The finest current ghost-story anthology originates in British Columbia—Ashcroft, to be exact. All Hallows: The Journal of the Ghost Story Society is a thrice-yearly periodical that needs to be more widely known.

Published by The Writers' Exchange, “this book was created by Division 6, Mrs. Mehnert’s grade 3 class, at Thunderbird Elementary in the winter of 2014.”

Jill Mandrake on False Memories and Other Likely Tales by Ernest Hekkanen.

In The Abominable Mr. Seabrook, Joe Ollmann begins with a reflective preamble called “Me and Mr. Seabrook,” part of which reads, “I realized that no one knew about Seabrook’s work—all his books were out of print at the time…”