Dear Geist,
I keep getting contradictory advice on how much detail to include in my stories. One teacher says “Less is more,” and another says, “God is in the details.”
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Dear H.S.,
They’re both right. Concise language gives your prose energy, and sensory information gives it resonance. The key is to stick to the telling details—the details that matter. Ask yourself:
Does the passage conjure up a vivid image in very few words? Alissa Rossi writes, in
: “Same face Uncle, Mother—blank eyes, straight mouth. They run on the energy of cornered rodents.”
Does the passage contain only details that keep the story moving? Umar Saeed writes, in
: “And the relentless eyes: gaping, squinting, penetrating, shying away, looking you up and down…”
Does the passage contain any details that
drive or thicken the story, such as a few stowaway expository details that aren’t pulling their weight?
—The Editors