When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.
After last call at three a.m. the sunon the horizon like a giant lodestarwould guide us over uneven boardwalks and dirt roadstoward the George Black Ferry, acrossthe mud-fed Yukon River to where our hidden worldof tents lay inside a maze of birch,where branches knocked and clacked in the windlike the restless bones of ghosts,where someone always screamed blue murder backat the landlocked sled dogs as they criedand howled at the lingering seasonand stunning lack of darknessinside the night...
Geist is the Canadian magazine of ideas and culture—every issue brings together a sumptuous mix of fact + fiction, photography and comix, poetry, essays and reviews, and more of the weird and wonderful from the world of words.
Geist distills the Canadian imagination into a tactile, stackable, admireable, finishable and entirely shareable magazine.
Notes & Dispatches from ADRIAN RAIN, HOLLIE ADAMS and KATHY PAGE; New fiction by PAUL DHILLON; Feature essay from EMILY LU; Comics by ONJANA YAWNGHWE and YOKO OJI KIKUCHI; Poetry by NOFEL; Winners of the 2023 PolterGeist Writing Contest, and much more!
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