Ted Bishop visits Edith Iglauer and her husband Frank in their seaside home, where he is treated to a fast drive on a winding road, conversation on good books, and a lesson on what it's like to grow old gracefully.

Stephen Osborne compares the "major problem" of loitering in 1968 Vancouver to the 2012 Occupy movement.

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Jane Silcott explores the ideas of beauty and mimicry both in theory and in the wilds of a motel complex.

On a dark day in January in Toronto, when the sky was much too close to the ground, I went to see the grave of Timothy Eaton with my friend Tom Walmsley.

Evil is not darkness, I thought to myself. It’s noise.

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His look is self-concious, but well done.

Cylinders of oxy­gen rolled past like dolls, propped up in wire bas­kets. After the first few min­utes it all seemed normal.

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Stephen Osborne uncovers the genesis of the poppy and how it became evidence of horror, a token of remembrance and a promise of oblivion.

Last month I had lunch with a good friend who years ago had told me that her parents, who immigrated to Canada after the war, were Holocaust survivors. I asked my friend, whose name is Slava, to tell me again about her parents, who had lived in Vilna, the ancient Lituanian city of Europe known for three centuries as the “Jerusalem of the north.”

The police officer turned us back and told us to for

The last thing in the world I wanted was to be an exhibit, or worse.

Senior Editor Mary Schendlinger remembers her friend and Geist contributor Saeko Usukawa.

Thompson’s free-ranging narrative of the New World must be the only one in which the devil is defeated at checkers.

At home Frank and I are mutually sympathetic to the obligation to face one another and speak loudly; or, when we are away, to supply each other with new batteries when we forget them; but we have no defence against the independent wandering behaviour of our hearing aids. They are always someplace else. I probably have spent one percent of my life, close to a whole year, looking for the damned things.

After the fall of the Berlin Wall, Hakescher Markt became one of hippest neigh

A shuttle driver at LAX shares his idea for a Valentine’s Day gift.

He looked vaguely familiar— there was a sort of outline around his ­features that I almost recognized, a translucent and shifting visage, as of someone I once knew. He looked vaguely familiar— there was a sort of outline around his ­features that I al

Boyfriends are trouble, I said. He leaned over and gave me a high-five.

If Toronto were like Baghdad, thirty-nine res

On a recent trip to Paris, I met a young woman from Japan. But this is not a story about a sudden love affair, which one might expect in Paris.

The man who told me to sit here is wearing a blue uniform. He asks me questions. “You’re going to sacrifice your body just to save some money,” he jokes.

The organizers of tonight’s talk have branded it as a “raw exchange”—part of a series of uncensored literary gatherings around the city—and so they’ve invited three biting B.C. writers to get down to brass tacks for a group of strangers in the basement of the Vancouver Public Library. By some freak of programming, a punk-metal band is slaying the kids in the room down the hall tonight, which means every time a bookish-looking latecomer wades into our midst, a foul-sounding wave of hellish power chords does, too.

In multi-cultural Vancouver, strangers come together at a moment of crisis.

Sometime in the late seventies Osborne and I walked down Spadina from Bloor to Front street, listening to Shein talk about the China Effect.

“The first time I met him, he caused me to float to the ceiling"

Sebastian and I enjoy making fun of le mythomane. We compare him to characters in novels. Maybe he can’t return home because he’s wanted for a crime.

What does it mean to love a band? A friend? A nation?

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Mastery of the self

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

Review of "Censorettes" by Elizabeth Bales Frank.

Review of "Memories: From Moscow to the Black Sea" by Teffi (trans. Robert Chandler).

Review of "Our Flag Means Death" created by David Jenkins on HBO Max.

Review of No Fun (the band) and reissued music by Atomic Werewolf Records.

Review of "Godzilla Minus One" directed by Takashi Yamazaki.

Review of "Canzone di Guerra: New Battle Songs" by Daša Drndić, trans. by Celia Hawkesworth.

Review of "The Midnight Bargain" by C.L. Polk

Review of "The Invention of the Other" directed by Bruno Jorge (2022).

Review of "A Primer for Forgetting: Getting Past the Past" by Lewis Hyde.

Review of "Orwell: The New Life" by D.J. Taylor.

Review of "Iron Curtain Journals," "South American Journals" and "Fall of America Journals" by Allen Ginsberg.

Review of "Antkind" by Charlie Kaufman.

Review of "A Guest in the House" by Emily Carroll.

Review of "The Last Grain Race" by Eric Newby.

Review of "The Man in the Red Coat" by Julian Barnes.

Review of "Rubymusic" by Connie Kuhns.

Review of "A Russian Sister" by Caroline Adderson.

Review of the Netflix series "Rabo de Peixe" (2023) created by Augusto de Fraga.

Review of "My Grandfather’s Knife: Hidden Stories from the Second World War" by Joseph Pearson

Review of "Mercy Gene" by JD Derbyshire.

Review of "Underland" by Robert Macfarlane.

Review of "Tracking Giants: Big Trees, Tiny Triumphs, and Misadventures in the Forest" by Amanda Lewis.

Review of "Solito: A Memoir" by Javier Zamora

Review of "Turn Every Page" directed by Lizzie Gottlieb

The Penthouse, the notorious Vancouver night club, shares a history with several of the city's missing women cases.

Stephen Henighan exposes the errors, omissions and problems with the Conservative party's study guide for Canadian citizenship.

Alberto Manguel examines a modern-day book burning and asks: how is this still happening?

A reflection on the complex and often inexplicable process of bibliographic categorizations.

Do shared languages form the natural boundaries of any nation in the world?

Reflections on how a bar in Parc Extension, QC, influenced an eponymous poem about "unprogress, inertia, the failure to learn from mistakes."

Alberto Manguel remembers a golden era in Canadian writing, comments on our current cultural climate and proposes a brighter future.

Parables, cautionary tales, morality plays, allegories—the notion that we can study literary works as texts of ethics is as old as literature.

"And what is the use of a book," thought Alice, "without pictures or conversation?" —Lewis Carroll, Alice’s Adventures in Wonderland

I remembered past ordeals: a U.S. official who squeezed out my toothpaste tube on the train from Montreal to Philadelphia, another who hauled me off a bus for a lengthy interrogation.

Bohemia is a good place to grow as a writer, but is it a good place to live one’s whole life?

A misogynist, a racist and an academic walk into a bar...

He is one of the strangest crea

For an English-speaking Canadian who has been exposed to French from an early age, Paris is the most disorienting city in Europe. It is grandiose, but it is mundane.

For most artists, the learning of the craft never ceases, and no resulting work is fully achieved

No one knows quite how to account for the well-established shops in Vancouver, Toronto and other cities that deal exclusively in fountain pens and fine fountain-pen accessories.

According to the numbers, Canada will never produce another Atwood or Findley.

Some years ago, Susan Crean amusingly suggested that nations might be defined or understood through their emblematic children’s books and according to whether the protagonist was male or female.

A bibliophile's worst nightmare: being stuck on a plane with a terrible book. A book mistaken for a work of serious history.

Reconsidering the faintly embarrassing Pierre Berton.

Alberto Manguel compares his life in the French countryside to that of Cain, whom God despised for being a settled crop farmer, and whom he punished by forcing him to wander.

Stephen Henighan argues that audiences used to have different opinions on the news; now they cannot even agree on the terms of debate.

When Frank Warren began collecting the secret thoughts of strangers at PostSecret.com, he inadvertently created a new genre.

Military coups, civil wars, and NAFTA are the cause of trilingual labels in Canadian big box stores.