Who today remembers the man who carried Einstein’s head in a box through the streets of Vancouver? We remember clearly the box (dark wood, varnished, the door on brass hinges: what about the latch?) with Einstein’s head in it, a plaster model (was it plastic, perhaps? modelling clay? plasticine?)

She would see him sometimes around Yaletown, her former counsellor, heading glassy-eyed toward a bar or creeping up the back steps of the massage parlour.

The time had come for our marathon trek through Europe. I was ten, and hated it already.

A greying, sunburnt American mis­sionary stopped us in the fruit market and invited us for a drink.

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With the approach of her tenth summer, Julia considers the holidays that lie before her: will there be too many things for her to do? Trying to look ahead from school time, with its time-tables and schedules, makes it hard to remember, or to imagine, what summertime will be before summer arrives and the school year ends. In the summer when I was Julia’s age I heard Elvis Presley for the first time, down by the river on the jukebox in the fish-and-chip joint where teenagers went to hold hands and drink ice cream sodas and eat salted french fries drenched in vinegar.

Toward the end of her life I drew close to Althea, the cat who had been with Mary and me for five or maybe six years, ever since her real owner, Mary’s daughter Karen, had to find a home for her when a landlord invoked the no-pets rule, and Mary and I were living mere blocks away, completely petless and, some might say, carefree.

I am down in the cabin and Ross, who is eighty feet up in the fire tower, sees smoke. He tries to report it but his radio isn’t working and nobody can understand him. They phone him back on the cell: does he need the water bombers? He says no, it’s just a spot fire. In that moment a huge gust of wind blasts through the cabin, blows a towel off a rack, slaps it against the valve of the water cooler and turns on the water.

My mother stands at the top of the stairs, thin as a skeleton and reeking of booze. “Are you drunk?” I ask. “No,” she says. “Have you had anything to drink today?” “No,” she says. Lies, all lies. There are always more.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

Mastery of the self

"If you are still alive, you must have had the experience of surrendering."

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

In the lifelong friendship between John Steinbeck and Ed Ricketts, it was Steinbeck who wrote the books, won the Nobel Prize in Literature and garnered the public attention (both positive and negative), but in Beyond the Outer Shores (Raincoast), a b

In Beyond the Horizon (Doubleday), Colin Angus lays claim to “the first human-powered circumnavigation of the planet” and spends 374 pages documenting and defending this claim (there’s also a DVD).

Billy Elliott is surely the most offensive movie of the season. Rocky II goes to ballet school and proves that High Culture can be good for working class stiffs if only they would stop drinking beer long enough to make sacrifices for children who wis

At twenty I didn’t know anything. About that time I had a Jewish boyfriend named Alain who lived with his parents in a wealthy area of town.... Now Michel Mielnicki, with John Munro, has written Bialystok to Birkenau: The Holocaust Journey of Michel

George Fetherling, in his Biographical Dictionary of the World’s Assassins (Random House), offers a useful five-part typology of assassins that appears to be a first of its kind. (Type fives seek personal revenge, type threes are hired mercenaries, t

The four dozen or so essays in Biting the Error: Writers Explore Narrative, edited by Mary Burger, et al. (Coach House Books), contain much loose talk of “limitations” and “delimitations,” of “linearity,” of being “forced to conform”—all of which are

If you like crime fiction, you will enjoy the latest Ian Rankin thriller, Black & Blue (Orion), whose title is taken from the Rolling Stones album of the same name. John Rebus, Rankin's police detective, seems at the outset just another cop-story pro

A review of A Little Distillery in Nowgong by Ashok Mathur.

The UK literary journal, Flash, features concise forms of microfiction: short-short stories also known as "flashes".

"I hope you will agree that we more sensitive teenagers grew up surrounded by irony." Jill Mandrake calls George Bowering's memoir his most provocative work yet.

A woman, hoping to find peace, seeks her birth mother. A review of By Blood by Ellen Ullman.

Mary Schendlinger reviews SayWha?!, a monthly evening of “readings of deliciously rotten writing”.

Norbert Ruebsaat learns that true happiness requires “an ability to live with ambiguity and tolerate a certain degree of physical humour” in Brian Fawcett's memoir, Human Happiness.

Diana Athill never dreamed of writing—until one morning, suddenly she wrote. "Until that moment I had been hand-maiden, as editor, to other people’s writing, without ever dreaming of myself as a writer."

The art of the obituary lives on: Obituaries of note from The Economist magazine, including those of the "gunrunner of CIA front companies" and "last interesting Marxist."

"Awkwardness comes with loving someone too much or not enough." A review of Other People We Married by Emma Straub.

The Senior Editor of Geist learns to "Wear Knee Socks with Everything" from an exceptional blog turned print book by Tavi Gevinson.

Kelsea O'Connor reviews Nox by Anne Carson (New Directions).

Michael Hayward reviews Blue Nights by Joan Didion (Knopf).

Mandelbrot reviews The Wage Slave's Glossary written by Joshua Glenn and Mark Kingwell and illustrated by Seth.

Eve Corbel reviews Collier’s Popular Press: 30 Years on the Newsstand.

Kelsea O'Connor reviews Tree of Codes by Jonathan Safran Foer (Visual Editions).

Jennesia Pedri reviews Walls: Travels Along the Barricades by Marcello di Cintio (Goose Lane).

Patty Osborne reviews Dogs at the Perimeter by Madeleine Thien (McClelland & Stewart).

Phrase books are tools of cultural globalization—but they are also among its casualties.

When building a nation, cultural riches can be lost.

Coming to harbour in a new world.

Science and the arts fulfil their functions to help us survive through the imagination.

In a world dominated by heroes, difference is not tolerated.

Dividing and conquering local populations confines them to manageable administrative units.

“Have patience” and “Tomorrow” are two inseparable locutions in the Portuguese tongue.

For a brief period the band CANO gave shape to the dream of a bilingual Canadian culture.

Lisa Bird-Wilson on UNDRIP, reconciliation, and the anxiety felt by Indigenous people in Canada.

"The hemispheric context reveals the roots of the residential school system...Destroying Indigenous cultures was a positivist policy from Patagonia to Dawson City."

What we do when we absorb words from a screen—and we haven’t yet evolved a verb for it—is not reading.

Libraries are not only essential in educating the soul, but in forming the identity of a society.

Our society is formed on the assumption of a healthy immune system.

What we can—and can’t—learn from the plague

Dogged dedication grants a reader vicarious immortality.

The woman who called herself Tatiana Aarons gave me an address that led to a vacant lot.

On March 5, 2006, a group of people gathered in a small Ontario city in the expectation of having books signed by an author who was not present.

The newspaper wars aren’t what they used to be.

A package-deal paradise reputation curtails gringo knowledge of Dominican life.

What can the Brothers Grimm teach us about the state of our economic system? Everything.

Faith seems to shiver when confronted by art.

Must artists declare their moral integrity?

Without air travel, family networks might have dissolved long ago.

There’s something not quite right about the grid on which the game is played.