Evil is not darkness, I thought to myself. It’s noise.

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His look is self-concious, but well done.

Cylinders of oxy­gen rolled past like dolls, propped up in wire bas­kets. After the first few min­utes it all seemed normal.

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Stephen Osborne uncovers the genesis of the poppy and how it became evidence of horror, a token of remembrance and a promise of oblivion.

Last month I had lunch with a good friend who years ago had told me that her parents, who immigrated to Canada after the war, were Holocaust survivors. I asked my friend, whose name is Slava, to tell me again about her parents, who had lived in Vilna, the ancient Lituanian city of Europe known for three centuries as the “Jerusalem of the north.”

The police officer turned us back and told us to for

The last thing in the world I wanted was to be an exhibit, or worse.

Senior Editor Mary Schendlinger remembers her friend and Geist contributor Saeko Usukawa.

Thompson’s free-ranging narrative of the New World must be the only one in which the devil is defeated at checkers.

At home Frank and I are mutually sympathetic to the obligation to face one another and speak loudly; or, when we are away, to supply each other with new batteries when we forget them; but we have no defence against the independent wandering behaviour of our hearing aids. They are always someplace else. I probably have spent one percent of my life, close to a whole year, looking for the damned things.

After the fall of the Berlin Wall, Hakescher Markt became one of hippest neigh

A shuttle driver at LAX shares his idea for a Valentine’s Day gift.

He looked vaguely familiar— there was a sort of outline around his ­features that I almost recognized, a translucent and shifting visage, as of someone I once knew. He looked vaguely familiar— there was a sort of outline around his ­features that I al

The man who told me to sit here is wearing a blue uniform. He asks me questions. “You’re going to sacrifice your body just to save some money,” he jokes.

On a recent trip to Paris, I met a young woman from Japan. But this is not a story about a sudden love affair, which one might expect in Paris.

If Toronto were like Baghdad, thirty-nine res

Boyfriends are trouble, I said. He leaned over and gave me a high-five.

A eulogy delivered by email, from a woman living in Berlin to her lifelong friend in Vancouver.

Sometime in the late seventies Osborne and I walked down Spadina from Bloor to Front street, listening to Shein talk about the China Effect.

In multi-cultural Vancouver, strangers come together at a moment of crisis.

The organizers of tonight’s talk have branded it as a “raw exchange”—part of a series of uncensored literary gatherings around the city—and so they’ve invited three biting B.C. writers to get down to brass tacks for a group of strangers in the basement of the Vancouver Public Library. By some freak of programming, a punk-metal band is slaying the kids in the room down the hall tonight, which means every time a bookish-looking latecomer wades into our midst, a foul-sounding wave of hellish power chords does, too.

A question of some concern among my friends when we were growing up in the fifties and sixties was how old you had to be to go to war.

An intrepid Geist correspondent narrowly avoids being stabbed by a moose-antler letter opener in Whitehorse.

I started walking, seriously. It was the bone scan that got me going. The healthy solid green was spongy with rotting black holes.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

Mastery of the self

"If you are still alive, you must have had the experience of surrendering."

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

In the local secondhand a few weeks ago, a copy of Killshot by Elmore Leonard, and this sentence on the first page: It was time to get away from here, leave Toronto and the Waverly Hotel for good and he wouldn't drink so much and be sick in the morni

The first volume of King, a "comic book" biography of Martin Luther King (Fantagraphic Books), will not be misinterpreted or appropriated by neo-Nazis. Yet its power is delivered with grace and subtlety.

What better song for summer’s soundtrack than Kate and Anna’s “Swimming Song”? I added it to my iPod rotation while reading Kate and Anna McGarrigle: Songs and Stories (Penumbra), too much of which consists of transcribed newspaper reviews of albums

Raymond J. Dunne, the sixteen-year-old hero of John Lekich’s teen novel, King of the Lost & Found (Raincoast), is an outsider.

P.D. James meets Philip K. Dick in Barbara Ehrenreich's first novel, Kipper's Game, a complex mystery story set in an all-too-believable world of strange new diseases, genetic mutations and virtual reality.

Grove Press has just brought out an English translation of Kitchen, by Banana Yoshimoto, an unclassifiable, magnificent little book that has won two literary awards and has had fifty-seven—yes, fifty-seven—printings in four years. As the dust jacket

Sheila was reading Knit Lit, an anthology of stories about knitting edited by Linda Roghaar and Molly Wolf (Three Rivers Press) and some of them were making her laugh out loud, especially the one about an oversized synthetic orange sweater that acqui

Mathieu Kassovitz was just twenty-eight years old when he made La Haine (Criterion dvd), a 1995 film released in black and white and set in les banlieues, the racially volatile suburbs that surround Paris like an explosive vest.

Are the Québecois the only moviemakers in North America with a sense of humour? Latest evidence to hand would certainly suggest so: three movies in the local video place this season and all winners.

Remember those student days when, in preparation for your final exam, you’d optimistically sit through a movie version as a substitute for the book itself?

In one of the audio tracks on the dvd of Monty Python and the Holy Grail, co-director Terry Gilliam credits Robert Bresson’s 1974 film Lancelot of the Lake (New Yorker Films dvd) as an inadvertent inspiration for Grail.

The recent Krazy & Ignatz 1937–1938: Shifting Sands Dusts Its Cheeks in Powdered Beauty is one of the most agreeably bonkers tomes published in recent memory. Just about every strip tells the story of Ignatz Mouse’s compulsion to hurl bricks at the w

I bought Revenge and began my education in how to manipulate history and maintain your honour as a Victorian lady. McGoogan’s book is an in-depth account of a detail-oriented, uncompromising, highly motivated and intelligent woman.

There's nothing exotic about Larry's Party (Random House), by Carol Shields: it could have taken place in Windsor. In fact, I think I went to high school with Larry Weller, an all-around ordinary guy.

Laurence, by France Théoret (Mercury, translated by Gail Scott), is also about a young woman in Quebec, but in the 1930s a woman’s struggle to make her life her own was harder. Laurence comes from an impoverished farming family whose daughters have t

Shopping for books is one part of Christmas that I really enjoy, and this year I found all the books I needed by walking between four bookstores clustered near the centre of town. At Manhattan Books I picked up two bright green hardcover copies of Be

I picked up Ledoyt by Carol Emshwiller (Mercury House) because it looked a lot like Annie (Polestar), a book I reviewed in Geist No. 19-20.

Deception and some kind of love are the themes that thread through the journey that is Let the Northern Lights Erase Your Name by Vendela Vida (HarperCollins). As one of the editors of the infamously cool magazine The Believer, Vida has a sharp pen a

Early in his memoir Let Me Finish (Harcourt), Roger Angell describes his mother Katherine White and his stepfather E. B. White as “a successful New Yorker couple—she a fiction editor; he a writer of casuals and poetry and the first-page Comment secti

When the movie director Jean Claude Lauzon died in a plane crash over northern Quebec, his death was noted in a two-sentence paragraph accompanied by a small photograph in the local newspaper. In the photograph he looks like the actor in his first fi

Child-rearing manuals cropped up with a vengeance in the latter half of the twentieth century after Dr. Benjamin Spock produced Baby and Child Care—the all-time best-selling book in American history, second only to the Bible, despite advice such as “

Life-25: Interviews with Prisoners Serving Life Sentences (New Star), by P.J. Murphy and Lloyd Johnsen, surprised me.

In Levels of Life, Julian Barnes writes about the grief experienced after losing his wife to cancer.

White was also a prolific correspondent, as the Letters of E. B. White: Revised Edition (HarperCollins) shows: over 700 pages, indexed and footnoted, updated from the first edition with letters from 1976 to 1985.

Mordecai Richler, in a withering put-down, once dismissed the novelist Hugh Garner as “a good speller.” In the summer of 2003, grinding through 160 Canadian books as a jury member for the Governor General’s Literary Award for Fiction in English, I learned that for many contemporary Canadian writers, Garner’s level of dubious distinction remains out of reach.

A city is an atmosphere defined by a history. A great city's streets may reflect its past, but only art makes a city's history, like its distinctive mood, present to the world.

It is not only the children of British mothers who have lost one of their nationalities; Great Britain, too, has lost a part of itself

In a letter of 350 words, published in Geist 65, Michael Redhill calls me a racist once and implies that I am a racist on at least four other occasions. Redhill’s repetition of the ultimate insult of the postmodern era offers a fascinating, if depressing, window into how certain Canadian writers betray their responsibility to the society they live in.

Dear George Szanto, I write in answer to your letter describing your difficulties in finding a publisher for your new novel.

"There are people," Chateaubriand comments, "who, in the midst of the collapse of empires, visit fountains and gardens"

The epic genre suffers from disregard. To the Iliad, our new century has preferred the Odyssey: the encumbered return of the warrior matters more to us than his laborious swordplay.

The federal government recently announced it is reviewing the CBC’s mandate. This review is the latest chapter in a long story of questioning the value of the CBC since its inception seventy years ago. Clearly there are politics involved here; the CBC is an easy target for attack by parties of all stripes.

Auvers-sur-Oise is a town of ghosts. Among the summer tourists and art-loving pilgrims who visit Auvers from all over the world, drift flocks of long-dead artists with folding easels and boxes of paints, who a century ago would disembark every week at the small railway station.

For reasons I can't make out, organizers of congresses and literary get-togethers throughout the world appear to have been inspired by a common theme: America. In Germany, in Spain, in France, in Holland, writers are being asked to talk about this faraway place that is either an overwhelming country or an underdeveloped continent.

There are two big trees in my garden under which, when friends are visiting, we sit and talk, sometimes during the day, but usually at night. Especially at night, when talk seems less inhibited, wider-ranging, strangely more stimulating.

Cyril Connolly’s writings have been republished, as The Selected Works (Picador, 2002). I remember reading his work in my late adolescence and wondering how someone could write like that, in fragments and half-formed ideas, allowing his thoughts (and the reader’s) to go in a thousand directions at the same time, and yet lend his texts an overwhelming feeling of cohesiveness.

One of the pleasures of reading for no particular reason is coming across hidden stories, involuntary essays, samples of what someone once called “found literature”—as opposed, I imagine, to the literature that states its official identity on the cover. Leafing through a book on Samuel de Champlain, I came across, of all things, a detective story.

When I was in school in Argentina, Europe (our notion of Europe) was a vast and powerful conglomerate of culture and wisdom. From there, from across the Atlantic, came the history to which, magister dixit, we owed our existence; from there came the writers whose literature we read, the musicians whose music we listened to, the filmmakers whose films we watched.

Many years ago my father-in-law, who had been a British prisoner of war in Japan, gave me a small pocket anthology, The Knapsack, edited by the undeservedly forgotten Herbert Read. The book (which I have since passed on to my daughter) had been put together for the Ministry of War to be given to its soldiers: its proclaimed intention was "to celebrate the genius of Mars." Surprisingly, however, the general tone of the anthology was above all elegiac.

A few years after Kafka’s death, Milena, the woman he had loved so dearly, was taken away by the Nazis and sent to a concentration camp. Suddenly life seemed to have become its reverse: not death, which is a conclusion, but a mad and meaningless state of brutal suffering, brought on through no visible fault and serving no visible end. To attempt to survive this nightmare, a friend of Milena devised a method: she would resort to the books she had read, stored in her memory.

“Get it right,” Rob Allen told me. “You have no idea how few novels you will actually write in your life”

Six days before the Passover festival in Bethany, the sisters Martha and Mary gave a dinner in honour of Jesus who (the gospels tell us) had raised their brother from the dead. Martha worked in the kitchen while Mary sat herself down at the feet of their guest, to listen to his words. Overwhelmed by the many tasks to be done, Martha asked her sister to come and help her. “Martha, Martha,” said Jesus. “You fret and fuss about many things, but only one thing is necessary. The part Mary has chosen is the best, and it will not be taken from her.”