Attention-grabbing fact: ninety-nine percent of “serious” writing about “popular” music is one hundred percent useless. One reason for this is an ingrained belief that the social significance of the entertainment industry is more interesting than any
October 21, 2005, marked the 200th anniversary of the great naval battle of Trafalgar, an engagement in which Admiral Nelson and the British fleet ended Napoleon’s dream of invading England by crushing the French and Spanish fleets off the southwest
I met Alejandra Pizarnik in Buenos Aires, in 1967, five years before her death. I had asked her to contribute to an anthology of texts that purported to continue an interrupted story begun in Shakespeare’s The Winter’s Tale: “There was a man dwelt by a churchyard.” She agreed and wrote a haunting piece called “Los muertos y la lluvia,” “The dead and the rain.” The book was never published, but we became friends.