The title of Artists & Writers Colonies: Retreats, Residencies and Respites for the Creative Mind, by Gail Hellund Bowles (Blue Heron/Orca) just about says it. This is a well-conceived, well-organized and apparently well-researched list of getaways,
Ascending Peculiarity: Edward Gorey on Edward Gorey (Harcourt), selected and edited by Karen Wilkin, is a collection of twenty-six years’ worth of interviews of Gorey, the eccentric American artist and writer. He was best known for his intricate pen-
Every aspect of a book—the page dimensions, paper type, font, length of text line, space between text lines, margin sizes and so on—is the result of a designer’s decision. When these decisions are well made, then reading a book’s text is like reading
Greg Gatenby must be stopped. A couple of years ago he edited a collection of remarks about Canada by various foreign writers. Now he has followed up with a second thick collection, The Very Richness of That Past: Canada Through the Eyes of Foreign W
I met Alejandra Pizarnik in Buenos Aires, in 1967, five years before her death. I had asked her to contribute to an anthology of texts that purported to continue an interrupted story begun in Shakespeare’s The Winter’s Tale: “There was a man dwelt by a churchyard.” She agreed and wrote a haunting piece called “Los muertos y la lluvia,” “The dead and the rain.” The book was never published, but we became friends.