Who today remembers the man who carried Einstein’s head in a box through the streets of Vancouver? We remember clearly the box (dark wood, varnished, the door on brass hinges: what about the latch?) with Einstein’s head in it, a plaster model (was it plastic, perhaps? modelling clay? plasticine?)

She would see him sometimes around Yaletown, her former counsellor, heading glassy-eyed toward a bar or creeping up the back steps of the massage parlour.

The time had come for our marathon trek through Europe. I was ten, and hated it already.

A greying, sunburnt American mis­sionary stopped us in the fruit market and invited us for a drink.

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With the approach of her tenth summer, Julia considers the holidays that lie before her: will there be too many things for her to do? Trying to look ahead from school time, with its time-tables and schedules, makes it hard to remember, or to imagine, what summertime will be before summer arrives and the school year ends. In the summer when I was Julia’s age I heard Elvis Presley for the first time, down by the river on the jukebox in the fish-and-chip joint where teenagers went to hold hands and drink ice cream sodas and eat salted french fries drenched in vinegar.

Toward the end of her life I drew close to Althea, the cat who had been with Mary and me for five or maybe six years, ever since her real owner, Mary’s daughter Karen, had to find a home for her when a landlord invoked the no-pets rule, and Mary and I were living mere blocks away, completely petless and, some might say, carefree.

I am down in the cabin and Ross, who is eighty feet up in the fire tower, sees smoke. He tries to report it but his radio isn’t working and nobody can understand him. They phone him back on the cell: does he need the water bombers? He says no, it’s just a spot fire. In that moment a huge gust of wind blasts through the cabin, blows a towel off a rack, slaps it against the valve of the water cooler and turns on the water.

My mother stands at the top of the stairs, thin as a skeleton and reeking of booze. “Are you drunk?” I ask. “No,” she says. “Have you had anything to drink today?” “No,” she says. Lies, all lies. There are always more.

Out on the set, except for the fact that there is always someone to catch us if we stumble, or someone to set up folding chairs for us between scenes, we are beneficiaries of the semi that denies the passing of clock-time. There is nothing to remind

Our film is a semi-documentary. We are ourselves, up to a point; beyond this point is the "semi," a region with boundaries that become more or less imprecise, according to our view of them. In one sense, it is semi from beginning to end, for we would

Patty Osborne reviews a collection of journal entries, correspondence and other writings produced by Mary Meigs during the last years of her life.

Did that really happen? J. Jill Robinson initiates a midnight stand-off between the police and two drunk brothers in an RV Park in White Rock, B.C.

For four decades, Jay Powell and Vickie Jensen helped to revive forgotten languages for many Aboriginal groups along the coast of the Pacific Northwest. Read their story here.

The Bolshevists are coming! The Bolshevists are coming! Daniel Francis recounts Canada's close call with a revolution.

Stephen Henighan compares the chaotic sprawl of "Third World" societies to the degradation of Canada's political, social and physical landscape.

The poet John Glassco lived in disguise, masquerading as a member of the gentry while writing pornography and reinventing his past.

L.B. Foote fled Newfoundland to avoid life as a cod fisherman and became Winnipeg's best-known photographer, chronicling Boomtown's growth, energy and struggles.

Sarah Leavitt is more than just a clever cartoonist; she also paints pictures with her colourful prose.

The mother of the groom measures the distance between two weddings: twenty-six years, six thousand miles, and a donkey covered with flowers. It’s outtasight.

Last summer, during a visit to Vancouver, my nine-year-old son climbed the pediment of a cast-iron traffic-light standard and put his palm on the glowing hand that warns pedestrians to stay put. My mother pointed out afterwards that my photograph of the event contained its own French caption, in the word visible over his shoulder: main.

Dinner with James Reaney—poet, playwright, professor—who is mistaken by a pair of Irish ladies for “that decadent writer Mordecai Richler.”

A series of lucky events seemed to conspire to bring me to Stettler, Alberta, one day in June 1998. Jennifer, the woman who was in between being my roommate and my girlfriend, was at the Banff Centre and I was on my way there from Saskatoon, where we lived. She had left me fifty dollars for gas so I could pick her up after her workshop, and I had accepted, hoping that when the time came I wouldn’t need it and I could give it back. I did need it, of course. I had been waiting for a cheque to come from the Globe and Mail for one of a series of drawings I was doing for them, and when it was time to leave, the cheque still hadn’t arrived. So I set out from Saskatoon with just a tank of gas and the fifty dollars.

It started with a note I found tucked into an anthology of poems edited by Selden Rodman, a book I opened rarely, though there was a time when I was young I had read it so closely and so many times I had most of the poems memorized. The note lay in the spine of the book against a poem of Arthur Rimbaud's titled, I think, "The Twelve-Year-Old Poet." On it are four names printed out in my sure and youthful twenty-one-year-old hand: Baghdad, Koweit, Sakakah, Jaffa.

I answered the ad: SWM likes to dance. Called him up (said his name was Jay), suggested we meet at the local cafe Tuesday night, something different, a performance poet performing. Free coffee and cookies, the place rocking with middle-aged angst.

And then I remembered an important event. It happened at a funeral in St. Paul’s chapel for a twenty-four-year-old prostitute who had overdosed in her Gastown hotel room. The small chapel was half full, and very quiet. There were a couple of fresh flower arrangements in front of the cheap, closed coffin. Most of the congregation were other prostitutes dressed in their working clothes, and a few pimps. One woman apologized to Brother Tim for having nothing black to wear, except for lingerie and a leather miniskirt.

Once while living in Burma (now Myanmar), Goran Simic and his brother, whose father was the Serbian ambassador, were stopped by rebels on their way to the international school in Yangon. They were hauled out of their diplomatic Mercedes limousine and forced at gunpoint to witness the beheading, at the side of the road, of a uniformed Myanmar government official.

During my thirty years living on the waterfront of British Columbia, I have always had some sort of container in which to sit on the water. My first boat was a ten-foot dinghy that my late husband John Daly, a commercial salmon troller, equipped with a small electric motor to surprise me. He had the bizarre idea that I, a sometime canoeist from Ohio, could manoeuvre a boat on my own around our capacious Pacific coast harbour. The electric engine would be ideal for me, he thought. No rope to pull to start it up! No gasoline tank on board!

Mary Meigs and her friend Lise Weil, editor of Beyond Recall, met regularly to do freewriting together. For each exercise they chose a line or phrase from the work of a poet they both admired; then, inspired by that "prompt," both women wrote for five or ten minutes, recording whatever came to mind (and hand).

When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.

A first-hand account of Greenpeace's first expedition to stop U.S. underwater nuclear testing on September 15, 1971.

I am not a fan of action adventure travel tales or extremes of physical exertion: everything I know about mountain climbing I learned from Earle Birney's long narrative poem "David," about two boys' summer around Banff. But once I had started Jon Kra

My favourite thing about Evelyn Lau’s new book, Inside Out: Reflections on A Life So Far (Doubleday), is the smart slipcover (design by Kevin Hoch/Pylon), which is made out of a thick, translucent onion-skin paper. It wouldn’t fit in my bag after I l

The current issue of Brick contains a transcript of Eleanor Wachtel's interview with John Berger made last year for CBC Radio, and is by itself sufficient reason to buy the magazine. Especially for what he has to say about using the words "and" and "

I saw Intacto (Lions Gate) at the Vancouver International Film Festival in 2002 and loved it. The film is about an underground ring of gamblers who bet on people’s luck.

I remember laughing a lot when I saw the films My Beautiful Laundrette and Sammy and Rosie Get Laid, both written by Hanif Kureishi, and I also laughed when I read his novel The Buddha of Suburbia, so I was hungry for more comic vision in his latest

Alberto Manguel, this country's man of letters par excellence, has a new collection: Into the Looking-Glass Wood: Essays on Words and the World (Knopf), consisting of twenty-two essays cast in the assured voice of a man who knows the world and is kno

Speaking of characters, for me there is no better way to understand history than to read about it in a good story that shows you what it was like to be alive back then. Lately I’ve read several children’s books that fill the bill.

Attention, Joyce Nelson fans: we no longer need to scan the contents pages of Canadian Forum and the Georgia Straight for her astute essays on culture. In June 1996, Nelson started publishing Lynx, a Monthly Newsletter in the Public Interest from Jam

A hardcover “ciné roman” version of La Jetée has just been republished by Zone Books. The pair—film and book—make a fascinating combination: the duration of each static image in the film highlights the time dimension, while in the book version the im

Until Susanna Clarke wrote Jonathan Strange & Mr. Norrell (Bloomsbury), I thought all adult fantasy novels were full of strange kingdoms and warrior princesses, but this delightful 782-page doorstop explores a complex rivalry between an autocratic ma

Fair Play, a brief novel by Tove Jansson, is available for the first time in an English translation by Thomas Teale. To quote from the original cover copy, Fair Play is about “two women who share a life of work, delight and consternation,” a relation

Joe Matt’s Fair Weather (Drawn and Quarterly) compiles four recent issues of his autobiographical comic book Peep Show.

Laurence Gough has another police procedural out from McClelland & Stewart: Fall Down Easy is a fast read and fun, but not much different from the American prototype.

There are a few hundred book publishers in Canada, most of them producing between one and fifteen books a year. Few of us ever get to see publishers’ whole lists and only some of us get to see their catalogues (which are usually distributed to bookst

Philippe, the crater-ridden far side of the moon, is a loser—he works as a telemarketer and still lives in his mother’s apartment while he tries to prove his thesis: that the 1960s space race was an exercise in narcissism.

Magazine addicts on the west coast have lost their most reliable (and revered) source of supply. Magpie Magazine Gallery on Commercial Drive in east Vancouver went out of business in spring 2008, after fifteen years of catering happily to a multifari

Patty Osborne reviews February by Lisa Moore (Anansi).

Kris Rothstein reviews Fantasy Freaks and Gaming Geeks by Ethan Gilsdorf (Lyons Press).

Some good Canadian with lots of hard currency should give Pico Iyer a ticket to Yellowknife, or Inuvik, or Pangnirtung or Come By Chance—almost anywhere in Canada, come to think of it. Iyer is the author of Falling Off the Map: Some Lonely Places of

In Fierce People by Dirk Wittenborn (Bloomsbury), fifteen-year-old Finn Earl aches to enter the privileged, self-indulgent world inhabited by the billionaire Osborne family and their wealthy friends. One minute he’s trying to cover up his mother’s dr

Felicity's Fool, by François Gravel (Cormorant), is a novel with history and science in it, and both the history and the science are very good. Its protagonist is a mild-mannered doctor driven to search for the organ of happiness in the human brain.

You could take the Lesbian National Parks and Services Field Guide to North America (Pedlar Press) into the woods, but this guidebook, written by Rangers Shawna Dempsey and Lorri Millan, is just as suitable for reading in bed. In fact, under the cove

I wish I could say that I finished Ferry Woman's History of the World (Coteau) by Susan Andrews Grace on the ferry ride home, but I didn't. This is a wonderful book, full of Celtic history, the speaker's childhood, her confrontations with Jesus, and

Lily Gontard reviews One Day (Hodder & Staughton), David Nicholls's novel about a decades-long friendship.

Phrase books are tools of cultural globalization—but they are also among its casualties.

When building a nation, cultural riches can be lost.

Coming to harbour in a new world.

Science and the arts fulfil their functions to help us survive through the imagination.

In a world dominated by heroes, difference is not tolerated.

Dividing and conquering local populations confines them to manageable administrative units.

“Have patience” and “Tomorrow” are two inseparable locutions in the Portuguese tongue.

For a brief period the band CANO gave shape to the dream of a bilingual Canadian culture.

Lisa Bird-Wilson on UNDRIP, reconciliation, and the anxiety felt by Indigenous people in Canada.

"The hemispheric context reveals the roots of the residential school system...Destroying Indigenous cultures was a positivist policy from Patagonia to Dawson City."

What we do when we absorb words from a screen—and we haven’t yet evolved a verb for it—is not reading.

Libraries are not only essential in educating the soul, but in forming the identity of a society.

Our society is formed on the assumption of a healthy immune system.

What we can—and can’t—learn from the plague

Dogged dedication grants a reader vicarious immortality.

The woman who called herself Tatiana Aarons gave me an address that led to a vacant lot.

On March 5, 2006, a group of people gathered in a small Ontario city in the expectation of having books signed by an author who was not present.

The newspaper wars aren’t what they used to be.

A package-deal paradise reputation curtails gringo knowledge of Dominican life.

What can the Brothers Grimm teach us about the state of our economic system? Everything.

Faith seems to shiver when confronted by art.

Must artists declare their moral integrity?

Without air travel, family networks might have dissolved long ago.

There’s something not quite right about the grid on which the game is played.