This invertebrate does not go looking for prey

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For the sake of the large romantic gesture

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Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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No Skylab buzz in East Germany.

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Nature’s sanctity is the only portal to the future.

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Playing against the fastest chess player in the world.

"You have bruises / There was time / You spent trying to / Heal them. / As in, time wasted."

That’s one for the rice bag!

The maple leaf no longer feels like a symbol of national pride.

"my point that / i is but a : colon grown / too long"

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

If marriage was a television show, it might look something like this.

Scrape every last bit of English out of your throat.

Who puts those little stickers on the apples in the grocery store?

Remembering Norbert Ruebsaat.

Destroying books for the greater good.

Losers: you have a lifetime to hunt.

"I never went looking for them."

Tell me again how long the trip is?

Fill the room with a flock of moths.

Any resemblances to persons living or dead are purely vindictive.

The secret is in the velvet.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

Mastery of the self

"If you are still alive, you must have had the experience of surrendering."

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

Review of "The Invention of the Other" directed by Bruno Jorge (2022).

Review of "A Primer for Forgetting: Getting Past the Past" by Lewis Hyde.

Review of "Orwell: The New Life" by D.J. Taylor.

Review of "Iron Curtain Journals," "South American Journals" and "Fall of America Journals" by Allen Ginsberg.

Review of "A Guest in the House" by Emily Carroll.

Review of "Antkind" by Charlie Kaufman.

Review of "The Last Grain Race" by Eric Newby.

Review of "The Man in the Red Coat" by Julian Barnes.

Review of "Rubymusic" by Connie Kuhns.

Review of the Netflix series "Rabo de Peixe" (2023) created by Augusto de Fraga.

Review of "A Russian Sister" by Caroline Adderson.

Review of "My Grandfather’s Knife: Hidden Stories from the Second World War" by Joseph Pearson

Review of "Mercy Gene" by JD Derbyshire.

Review of "Underland" by Robert Macfarlane.

Review of "Tracking Giants: Big Trees, Tiny Triumphs, and Misadventures in the Forest" by Amanda Lewis.

Review of "Solito: A Memoir" by Javier Zamora

Review of "Turn Every Page" directed by Lizzie Gottlieb

Review of "Holden After & Before: Love Letter for a Son Lost to Overdose" by Tara McGuire.

Review of "Some of the Puzzles" by M.A.C. Farrant.

Review of "Holiday, 1909" by Charles Chapman.

Review of "For Whom the Bell Tolls" by Ernest Hemingway.

Review of "What We Talk About When We Talk About Dumplings" edited by John Lorinc.

Review of "Shaman" by Kim Stanley Robinson.

Review of "Landlines" by Raynor Winn.

Alberto Manguel's column from Geist 93 about how the most important Turkish novelist of modern times took over fifty years to reach English-speaking audiences.

"Canadians have long been convinced that we do not know much, or care much, about our own history, but a new study suggests that this truism is not true."

A look back at World War I as the first great twentieth-century pollution of language.

An appreciation of Dante's "Commedia."

Despite hardships and dangerous slums, Nicaragua maintains a sense of hope that draws back to the democratic days of the Sandinistas.

The canoe as a fetish object, a misreading of Canadian history and a symbol of colonial oppression.

Ruskin's readers have the power to know that there is indeed room for Alice at the Mad Hatter's table.

In order to discharge ourselves of certain problems, why not simply erase from our maps the sites of such nuisance?

What does it mean to "be" yourself? The face reflected in the mirror is unrecognizable.

In the farmer’s market, a quintessentially Canadian setting, much of Canada is not visible.

In this essay, Daniel Francis discusses how Gerda Munsinger—a woman with ties to the criminal underworld—shaped Canadian politics in the 1960s.

Atanarjuat: The Fast Runner is a film about community and the north.

Reflections on John Updike's death.

The Geist map has a venerable ancestor that goes back four centuries and halfway around the world.

Slot machines sing their astral music. The tape recorder turns off. “Do you talk to friends about sex?” he asks.

There may be more to reality TV than meets the eye.

I'm always looking for the moment in which a character must stop to eat because, for me, the very mention of food humanizes a story.

During the 1980s the literary critic Edward Said organized occasional research seminars at Columbia University in New York.

The books we love become our cartography.

One thing Canadians have learned from our armed incursion into Afghanistan is that we do not have a vocabulary for discussing war or warlike events.

The atrocities were carried out in the name of some version of “civilization” that the Queen represented.

There are imaginary cities for scientists, vampires, lechers and even bad students—but what about writers?

Is it the icons of Canadian pop culture—hockey fights, Tim Hortons coffee, Don Cherry’s haberdashery, Rick Mercer’s rants—that reveal the deepest truths about us?

The Penthouse, the notorious Vancouver night club, shares a history with several of the city's missing women cases.