For the sake of the large romantic gesture

‍

Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

‍

No Skylab buzz in East Germany.

‍

Nature’s sanctity is the only portal to the future.

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Playing against the fastest chess player in the world.

"You have bruises / There was time / You spent trying to / Heal them. / As in, time wasted."

That’s one for the rice bag!

The maple leaf no longer feels like a symbol of national pride.

"my point that / i is but a : colon grown / too long"

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

If marriage was a television show, it might look something like this.

Scrape every last bit of English out of your throat.

Who puts those little stickers on the apples in the grocery store?

Remembering Norbert Ruebsaat.

Destroying books for the greater good.

Losers: you have a lifetime to hunt.

"I never went looking for them."

Tell me again how long the trip is?

Fill the room with a flock of moths.

Any resemblances to persons living or dead are purely vindictive.

The secret is in the velvet.

You can’t break eggs without making an omelette.

Out on the set, except for the fact that there is always someone to catch us if we stumble, or someone to set up folding chairs for us between scenes, we are beneficiaries of the semi that denies the passing of clock-time. There is nothing to remind

Our film is a semi-documentary. We are ourselves, up to a point; beyond this point is the "semi," a region with boundaries that become more or less imprecise, according to our view of them. In one sense, it is semi from beginning to end, for we would

Patty Osborne reviews a collection of journal entries, correspondence and other writings produced by Mary Meigs during the last years of her life.

Did that really happen? J. Jill Robinson initiates a midnight stand-off between the police and two drunk brothers in an RV Park in White Rock, B.C.

For four decades, Jay Powell and Vickie Jensen helped to revive forgotten languages for many Aboriginal groups along the coast of the Pacific Northwest. Read their story here.

The Bolshevists are coming! The Bolshevists are coming! Daniel Francis recounts Canada's close call with a revolution.

Stephen Henighan compares the chaotic sprawl of "Third World" societies to the degradation of Canada's political, social and physical landscape.

The poet John Glassco lived in disguise, masquerading as a member of the gentry while writing pornography and reinventing his past.

L.B. Foote fled Newfoundland to avoid life as a cod fisherman and became Winnipeg's best-known photographer, chronicling Boomtown's growth, energy and struggles.

Sarah Leavitt is more than just a clever cartoonist; she also paints pictures with her colourful prose.

The mother of the groom measures the distance between two weddings: twenty-six years, six thousand miles, and a donkey covered with flowers. It’s outtasight.

Last summer, during a visit to Vancouver, my nine-year-old son climbed the pediment of a cast-iron traffic-light standard and put his palm on the glowing hand that warns pedestrians to stay put. My mother pointed out afterwards that my photograph of the event contained its own French caption, in the word visible over his shoulder: main.

Dinner with James Reaney—poet, playwright, professor—who is mistaken by a pair of Irish ladies for “that decadent writer Mordecai Richler.”

A series of lucky events seemed to conspire to bring me to Stettler, Alberta, one day in June 1998. Jennifer, the woman who was in between being my roommate and my girlfriend, was at the Banff Centre and I was on my way there from Saskatoon, where we lived. She had left me fifty dollars for gas so I could pick her up after her workshop, and I had accepted, hoping that when the time came I wouldn’t need it and I could give it back. I did need it, of course. I had been waiting for a cheque to come from the Globe and Mail for one of a series of drawings I was doing for them, and when it was time to leave, the cheque still hadn’t arrived. So I set out from Saskatoon with just a tank of gas and the fifty dollars.

It started with a note I found tucked into an anthology of poems edited by Selden Rodman, a book I opened rarely, though there was a time when I was young I had read it so closely and so many times I had most of the poems memorized. The note lay in the spine of the book against a poem of Arthur Rimbaud's titled, I think, "The Twelve-Year-Old Poet." On it are four names printed out in my sure and youthful twenty-one-year-old hand: Baghdad, Koweit, Sakakah, Jaffa.

I answered the ad: SWM likes to dance. Called him up (said his name was Jay), suggested we meet at the local cafe Tuesday night, something different, a performance poet performing. Free coffee and cookies, the place rocking with middle-aged angst.

And then I remembered an important event. It happened at a funeral in St. Paul’s chapel for a twenty-four-year-old prostitute who had overdosed in her Gastown hotel room. The small chapel was half full, and very quiet. There were a couple of fresh flower arrangements in front of the cheap, closed coffin. Most of the congregation were other prostitutes dressed in their working clothes, and a few pimps. One woman apologized to Brother Tim for having nothing black to wear, except for lingerie and a leather miniskirt.

Once while living in Burma (now Myanmar), Goran Simic and his brother, whose father was the Serbian ambassador, were stopped by rebels on their way to the international school in Yangon. They were hauled out of their diplomatic Mercedes limousine and forced at gunpoint to witness the beheading, at the side of the road, of a uniformed Myanmar government official.

During my thirty years living on the waterfront of British Columbia, I have always had some sort of container in which to sit on the water. My first boat was a ten-foot dinghy that my late husband John Daly, a commercial salmon troller, equipped with a small electric motor to surprise me. He had the bizarre idea that I, a sometime canoeist from Ohio, could manoeuvre a boat on my own around our capacious Pacific coast harbour. The electric engine would be ideal for me, he thought. No rope to pull to start it up! No gasoline tank on board!

Mary Meigs and her friend Lise Weil, editor of Beyond Recall, met regularly to do freewriting together. For each exercise they chose a line or phrase from the work of a poet they both admired; then, inspired by that "prompt," both women wrote for five or ten minutes, recording whatever came to mind (and hand).

When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.

A first-hand account of Greenpeace's first expedition to stop U.S. underwater nuclear testing on September 15, 1971.

During World War II, Gunda Lambton and her two young children left England to live in Canada.

A review of Barnacle Love, a collection of short stories by Anthony De Sa.

Her story powers along; eventually she will arrive at the start, returning to the losses set down in the preface, losses so terrible we won’t mind if she chickens out.

Helen Garner’s novel "The Spare Room" opens in Melbourne as the protagonist and narrator, a middle-aged woman also named Helen (hmm), prepares for the visit of Nicola, her dear friend.

Stolen honeycombs, a fiancé training to be a missionary in Africa, a picnic marred by quicksand and fog, a fundraising party for pig pensions...

"Drawing the Line: The How to Draw Book" is best suited for young artists who are interested in graphic novels or comic stories.

"This Accident of Being Lost" by Leanne Betasamosake Simpson (House of Anansi) is a sharp collection of short stories and poetry that resists the colonialism of contemporary Canada.

Together the images in Bathers constitute a supreme study of ordinary bodies, and demonstrate in visceral ways just how unique is the ordinary body: no two alike, each an expression of itself.

Jack Kerouac, that prototypically “all-American” writer, was born to Québécois parents, and raised in the midst of an expatriate French-Canadian community in the mill town of Lowell, Massachusetts.

Published by The Writers' Exchange, “this book was created by Division 6, Mrs. Mehnert’s grade 3 class, at Thunderbird Elementary in the winter of 2014.”

Fawzia Mirza on the white, Western concept of coming out: "We have to let go of thinking that there’s one right way to be. It’s about finding better words and language to talk about the gay experience."

A middle-aged man moves to a new city to restart his life, gets to know an old man named Oliver, and after only a few months realizes that he has fallen in love with both the new city and the old man.

Shakespeare and Company bookstore in Paris regularly makes it onto lists like The World’s Coolest Bookstores and The 20 Most Beautiful Bookstores in the World.

In 1997, when Internet connections were dial-up and most of us were just trying to figure out how the World Wide Web worked, a group of people had the foresight to see that the Internet could be a powerful tool for the anti-poverty movement.

The poet and artist P.K. Page wrote Mexican Journal (Porcupine’s Quill) from 1960 to 1963, while posted in Mexico with her husband, Ambassador W. Arthur Irwin.

When I tried to describe the weird and wonderful book Accordéon by Kaie Kellough (ARP) to two Québécoise friends, I had to resort to reading a few excerpts because my own words failed me.

For Ove, the central character in the film A Man Called Ove there is nothing ahead but frustration, disappointment and sadness. “It’s just chaos when you’re not here,” he says to his newly departed wife as he lays flowers on her grave.

The first thing John K. Samson said when he and his band stepped onstage at the Commodore Ballroom on February 2 was, “Hi, we’re a middle-aged soft rock band from Winnipeg, Manitoba.”

Those who were close to the late John Berger have spoken of his generosity, praising Berger’s collaborative nature and his ability to establish and sustain creative friendships throughout a long and productive life.

In The Abominable Mr. Seabrook, Joe Ollmann begins with a reflective preamble called “Me and Mr. Seabrook,” part of which reads, “I realized that no one knew about Seabrook’s work—all his books were out of print at the time…”

The One Hundred Nights of Hero by Isabel Greenberg (Doubleday Canada) is a beautifully illustrated graphic novel offering feminist adaptations of folk tales wrapped in an epic-feeling love story.

In Hanya Yanagihara’s A Little Life (Doubleday) the main character Jude says “I’m sorry” over 100 times. And he adds in “I’m so sorry” 30 times.

Michael Hayward reviews the sweater that Sarah Lund wears in every episode of Season 1 of The Killing, a serial crime drama.

The Thrilling Adventures of Lovelace and Babbage by Sydney Padua asks the question: what would the world be like if mathematician Ada Lovelace and inventor Charles Babbage had succeeded in creating the first Victorian computer?

Phrase books are tools of cultural globalization—but they are also among its casualties.

When building a nation, cultural riches can be lost.

Coming to harbour in a new world.

Science and the arts fulfil their functions to help us survive through the imagination.

In a world dominated by heroes, difference is not tolerated.

Dividing and conquering local populations confines them to manageable administrative units.

“Have patience” and “Tomorrow” are two inseparable locutions in the Portuguese tongue.

For a brief period the band CANO gave shape to the dream of a bilingual Canadian culture.

Lisa Bird-Wilson on UNDRIP, reconciliation, and the anxiety felt by Indigenous people in Canada.

"The hemispheric context reveals the roots of the residential school system...Destroying Indigenous cultures was a positivist policy from Patagonia to Dawson City."

What we do when we absorb words from a screen—and we haven’t yet evolved a verb for it—is not reading.

Libraries are not only essential in educating the soul, but in forming the identity of a society.

Our society is formed on the assumption of a healthy immune system.

What we can—and can’t—learn from the plague

Dogged dedication grants a reader vicarious immortality.

The woman who called herself Tatiana Aarons gave me an address that led to a vacant lot.

On March 5, 2006, a group of people gathered in a small Ontario city in the expectation of having books signed by an author who was not present.

The newspaper wars aren’t what they used to be.

A package-deal paradise reputation curtails gringo knowledge of Dominican life.

What can the Brothers Grimm teach us about the state of our economic system? Everything.

Faith seems to shiver when confronted by art.

Must artists declare their moral integrity?

Without air travel, family networks might have dissolved long ago.

There’s something not quite right about the grid on which the game is played.